Bildungsromans; Domestic fiction; England -- Fiction; Mothers and daughters -- Fiction; Young women -- Fiction
“How can you be,” she sweetly asked, “so hideously hypocritical? You
know as well as you sit there that my fine instincts are the thing in
the world you’re most in terror of. ‘Be myself?’” she echoed. “What
you’d LIKE to say is: ‘Be somebody else--that’s your only chance.’ Well,
I’ll try--I’ll try.”
He laughed again, shaking his head. “Don’t--don’t.”
“You mean it’s too hopeless? There’s no way of effacing the bad
impression or of starting a good one?” On this, with a drop of his
mirth, he met her eyes, and for an instant, through the superficial
levity of their talk, they might have appeared to sound each other. It
lasted till Mrs. Brook went on: “I should really like not to lose him.”
Vanderbank seemed to understand and at last said: “I think you won’t
lose him.”
“Do you mean you’ll help me, Van, you WILL?” Her voice had at moments
the most touching tones of any in England, and humble, helpless,
affectionate, she spoke with a familiarity of friendship. “It’s for the
sense of the link with mamma,” she explained. “He’s simply full of her.”
“Oh I know. He’s prodigious.”
“He has told you more--he comes back to it?” Mrs. Brook eagerly asked.
“Well,” the young man replied a trifle evasively, “we’ve had a great
deal of talk, and he’s the jolliest old boy possible, and in short I
like him.”
“I see,” said Mrs. Brook blandly, “and he likes you in return as much as
he despises me. That makes it all right--makes me somehow so happy for
you. There’s something in him--what is it?--that suggests the oncle
d’Amerique, the eccentric benefactor, the fairy godmother. He’s a
little of an old woman--but all the better for it.” She hung fire but an
instant before she pursued: “What can we make him do for you?”
Vanderbank at this was very blank. “Do for me?”
“How can any one love you,” she asked, “without wanting to show it in
some way? You know all the ways, dear Van,” she breathed, “in which I
want to show it.”
He might have known them, something suddenly fixed in his face appeared
to say, but they were not what was, on this speech of hers, most
immediately present to him. “That for instance is the tone not to take
with him.”
“There you are!” she sighed with discouragement. “Well, only TELL me.”
Then as he said nothing: “I must be more like mamma?”
His expression confessed to his feeling an awkwardness. “You’re perhaps
not quite enough like her.”
Public-domain text, read in full here on John Shaqi.
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