Bildungsromans; Domestic fiction; England -- Fiction; Mothers and daughters -- Fiction; Young women -- Fiction
Vanderbank, cultivating his detachment, made at first no more reply
than if he had not heard, and the others meanwhile showed faces that
testified perhaps less than their respective speeches had done to the
absence of anxiety. The only token he immediately gave was to get up and
approach Mitchy, before whom he stood a minute laughing kindly enough,
though not altogether gaily. As if then for a better proof of gaiety
he presently seized him by the shoulders and, still without speaking,
pushed him backward into the chair he himself had just quitted. Mrs.
Brook’s eyes, from the sofa, while this went on, attached themselves to
her visitors. It took Vanderbank, as he moved about and his companions
waited, a minute longer to produce what he had in mind. “What IS
splendid, as we call it, is this extraordinary freedom and good humour
of our intercourse and the fact that we do care--so independently of our
personal interests, with so little selfishness or other vulgarity--to
get at the idea of things. The beautiful specimen Mrs. Brook had just
given me of that,” he continued to Mitchy, “was what made me break
out to you about her when you came in.” He spoke to one friend, but he
looked at the other. “What’s really ‘superior’ in her is that, though
I suddenly show her an interference with a favourite plan, her personal
resentment’s nothing--all she wants is to see what may really happen, to
take in the truth of the case and make the best of that. She offers me
the truth, as she sees it, about myself, and with no nasty elation if
it does chance to be the truth that suits her best. It was a charming,
charming stroke.”
Mitchy’s appreciation was no bar to his amusement. “You’re wonderfully
right about us. But still it was a stroke.”
If Mrs. Brook was less diverted she followed perhaps more closely. “If
you do me so much justice then, why did you put to me such a cold cruel
question?--I mean when you so oddly challenged me on my handing on your
news to Mitchy. If the principal beauty of our effort to live together
is--and quite according to your own eloquence--in our sincerity, I
simply obeyed the impulse to do the sincere thing. If we’re not sincere
we’re nothing.”
“Nothing!”--it was Mitchy who first responded. “But we ARE sincere.”
“Yes, we ARE sincere,” Vanderbank presently said. “It’s a great chance
for us not to fall below ourselves: no doubt therefore we shall continue
to soar and sing. We pay for it, people who don’t like us say, in our
self-consciousness--”
“But people who don’t like us,” Mitchy broke in, “don’t matter. Besides,
how can we be properly conscious of each other--?”
“That’s it!”--Vanderbank completed his idea: “without my finding myself
for instance in you and Mrs. Brook? We see ourselves reflected--we’re
conscious of the charming whole. I thank you,” he pursued after an
instant to Mrs. Brook--“I thank you for your sincerity.”
Public-domain text, read in full here on John Shaqi.
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