Bildungsromans; Domestic fiction; England -- Fiction; Mothers and daughters -- Fiction; Young women -- Fiction
The speech had for Nanda’s companion, however, no effect of pleasantry
or irony, and it was a mark of the special intercourse of these good
friends that though they showed each other, in manner and tone, such
sustained consideration as might almost have given it the stamp of
diplomacy, there was yet in it also something of that economy of
expression which is the result of a common experience. The recurrence
of opportunity to observe them together would have taught a spectator
that--on Mrs. Brook’s side doubtless more particularly--their relation
was governed by two or three remarkably established and, as might have
been said, refined laws, the spirit of which was to guard against the
vulgarity so often coming to the surface between parent and child. That
they WERE as good friends as if Nanda had not been her daughter was a
truth that no passage between them might fail in one way or another to
illustrate. Nanda had gathered up, for that matter, early in life, a
flower of maternal wisdom: “People talk about conscience, but it seems
to me one must just bring it up to a certain point and leave it
there. You can let your conscience alone if you’re nice to the second
housemaid.” Mrs. Brook was as “nice” to Nanda as she was to Sarah
Curd--which involved, as may easily be imagined, the happiest conditions
for Sarah. “Well,” she resumed, reverting to the Duchess on a final
appraisement of the girl’s air, “I really think I do well by you and
that Jane wouldn’t have anything to say to-day. You look awfully like
mamma,” she then threw off as if for the first time of mentioning it.
“Oh Cousin Jane doesn’t care for that,” Nanda returned. “What I don’t
look like is Aggie, for all I try.”
“Ah you shouldn’t try--you can do nothing with it. One must be what one
is.”
Mrs. Brook was almost sententious, but Nanda, with civility, let it
pass. “No one in London touches her. She’s quite by herself. When one
sees her one feels her to be the real thing.”
Mrs. Brook, without harshness, wondered. “What do you mean by the real
thing?”
Even Nanda, however, had to think a moment.
“Well, the real young one. That’s what Lord Petherton calls her,” she
mildly joked--“‘the young ‘un’”
Her mother’s echo was not for the joke, but for something else. “I know
what you mean. What’s the use of being good?”
“Oh I didn’t mean that,” said Nanda. “Besides, isn’t Aggie of a
goodness--?”
“I wasn’t talking of her. I was asking myself what’s the use of MY
being.”
“Well, you can’t help it any more than the Duchess can help--!”
Public-domain text, read in full here on John Shaqi.
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