Bildungsromans; Domestic fiction; England -- Fiction; Mothers and daughters -- Fiction; Young women -- Fiction
Vanderbank’s hesitation might have shown he was struck with this. “Well,
I don’t think it’s information that either of us required. But of course
she--can’t help it,” he added. “Everything, literally everything, in
London, in the world she lives in, is in the air she breathes--so that
the longer SHE’S in it the more she’ll know.”
“The more she’ll know, certainly,” Mitchy acknowledged. “But she isn’t
in it, you see, down here.”
“No. Only she appears to have come down with such accumulations. And she
won’t be here for ever,” Vanderbank hastened to mention. “Certainly not
if you marry her.”
“But isn’t that at the same time,” Vanderbank asked, “just the
difficulty?”
Mitchy looked vague. “The difficulty?”
“Why as a married woman she’ll be steeped in it again.”
“Surely”--oh Mitchy could be candid! “But the difference will be that
for a married woman it won’t matter. It only matters for girls,” he
plausibly continued--“and then only for those on whom no one takes
pity.”
“The trouble is,” said Vanderbank--but quite as if uttering only a
general truth--“that it’s just a thing that may sometimes operate as
a bar to pity. Isn’t it for the non-marrying girls that it doesn’t
particularly matter? For the others it’s such an odd preparation.”
“Oh I don’t mind it!” Mitchy declared.
Vanderbank visibly demurred. “Ah but your choice--!”
“Is such a different sort of thing?” Mitchy, for the half-hour, in the
ambiguous dusk, had never looked more droll. “The young lady I named
isn’t my CHOICE.”
“Well then, that’s only a sign the more that you do these things more
easily.”
“Oh ‘easily’!” Mitchy murmured.
“We oughtn’t at any rate to keep it up,” said Vanderbank, who had looked
at his watch. “Twelve twenty-five--good-night. Shall I blow out the
candles?”
“Do, please. I’ll close the window”--and Mitchy went to it. “I’ll follow
you--good-night.” The candles after a minute were out and his friend
had gone, but Mitchy, left in darkness face to face with the vague quiet
garden, still stood there.
BOOK EIGHTH. TISHY GRENDON
I
Public-domain text, read in full here on John Shaqi.
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