Bildungsromans; Domestic fiction; England -- Fiction; Mothers and daughters -- Fiction; Young women -- Fiction
Mrs. Brook, who had faced about, again turned from him. “I hope you
don’t forget,” she remarked with superiority, “that we don’t ask her.”
“YOU don’t?” Edward gloomed.
“Never. But I trust her.”
“Yes,” he mused afresh, “one must trust one’s child. Does Van?” he then
enquired.
“Does he trust her?”
“Does he know anything of the general figure?”
She hesitated. “Everything. It’s high.”
“He has told you so?”
Mrs. Brook, supremely impatient now, seemed to demur even to the
question. “We ask HIM even less.”
“Then how do we know?”
She was weary of explaining. “Because that’s just why he hates it.”
There was no end however, apparently, to what Edward could take. “But
hates what?”
“Why, not liking her.”
Edward kept his back to the fire and his dead eyes on the cornice and
the ceiling. “I shouldn’t think it would be so difficult.”
“Well, you see it isn’t. Mr. Longdon can manage it.”
“I don’t see what the devil’s the matter with her,” he coldly continued.
“Ah that may not prevent--! It’s fortunately the source at any rate of
half Mr. Longdon’s interest.”
“But what the hell IS it?” he drearily demanded.
She faltered a little, but she brought it out. “It’s ME.”
“And what’s the matter with ‘you’?”
She made, at this, a movement that drew his eyes to her own, and for a
moment she dimly smiled at him. “That’s the nicest thing you ever said
to me. But ever, EVER, you know.”
“Is it?” She had her hand on his sleeve, and he looked almost awkward.
“Quite the very nicest. Consider that fact well and even if you only
said it by accident don’t be funny--as you know you sometimes CAN
be--and take it back. It’s all right. It’s charming, isn’t it? when our
troubles bring us more together. Now go up to her.”
Edward kept a queer face, into which this succession of remarks
introduced no light, but he finally moved, and it was only when he had
almost reached the door that he stopped again. “Of course you know he
has sent her no end of books.”
“Mr. Longdon--of late? Oh yes, a deluge, so that her room looks like
a bookseller’s back shop; and all, in the loveliest bindings, the most
standard English works. I not only know it, naturally, but I know--what
you don’t--why.”
“‘Why’?” Edward echoed. “Why but that--unless he should send her
money--it’s about the only kindness he can show her at a distance?”
Mrs. Brook hesitated; then with a little suppressed sigh: “That’s it!”
But it still held him. “And perhaps he does send her money.”
“No. Not now.”
Edward lingered. “Then is he taking it out--?”
“In books only?” It was wonderful--with its effect on him now
visible--how she possessed her subject. “Yes, that’s his delicacy--for
the present.”
“And you’re not afraid for the future--?”
“Of his considering that the books will have worked it off? No. They’re
thrown in.”
Just perceptibly cheered he reached the door, where, however, he had
another pause. “You don’t think I had better see Van?”
She stared. “What for?”
“Why, to ask what the devil he means.”
Public-domain text, read in full here on John Shaqi.
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