Bildungsromans; Domestic fiction; England -- Fiction; Mothers and daughters -- Fiction; Young women -- Fiction
The first thing the young man said was that he was tremendously glad she
had written. “I think it was most particularly nice of you.” And this
thought precisely seemed, as he spoke, a flower of the general bloom--as
if the niceness he had brought in was so great that it straightway
converted everything to its image. “The only thing that upset me a
little,” he went on, “was your saying that before writing it you had so
hesitated and waited. I hope very much, you know, that you’ll never do
anything of that kind again. If you’ve ever the slightest desire to see
me--for no matter what reason, if there’s ever the smallest thing of any
sort that I can do for you, I promise you I shan’t easily forgive you if
you stand on ceremony. It seems to me that when people have known each
other as long as you and I there’s one comfort at least they may treat
themselves to. I mean of course,” Van developed, “that of being easy and
frank and natural. There are such a lot of relations in which one isn’t,
in which it doesn’t pay, in which ‘ease’ in fact would be the greatest
of troubles and ‘nature’ the greatest of falsities. However,” he
continued while he suddenly got up to change the place in which he had
put his hat, “I don’t really know why I’m preaching at such a rate, for
I’ve a perfect consciousness of not myself requiring it. One does half
the time preach more or less for one’s self, eh? I’m not mistaken at all
events, I think, about the right thing with YOU. And a hint’s enough
for you, I’m sure, on the right thing with me.” He had been looking all
round while he talked and had twice shifted his seat; so that it was
quite in consonance with his general admiring notice that the next
impression he broke out with should have achieved some air of relevance.
“What extraordinarily lovely flowers you have and how charming you’ve
made everything! You’re always doing something--women are always
changing the position of their furniture. If one happens to come in in
the dark, no matter how well one knows the place, one sits down on a
hat or a puppy-dog. But of course you’ll say one doesn’t come in in the
dark, or at least, if one does, deserves what one gets. Only you know
the way some women keep their rooms. I’m bound to say YOU don’t, do
you?--you don’t go in for flower-pots in the windows and half a dozen
blinds. Why SHOULD you? You HAVE got a lot to show!” He rose with this
for the third time, as the better to command the scene. “What I mean is
that sofa--which by the way is awfully good: you do, my dear Nanda, go
it! It certainly was HERE the last time, wasn’t it? and this thing was
there. The last time--I mean the last time I was up here--was fearfully
long ago: when, by the way, WAS it? But you see I HAVE been and that
I remember it. And you’ve a lot more things now. You’re laying up
treasure. Really the increase of luxury--! What an awfully jolly lot
of books--have you read them all? Where did you learn so much about
bindings?”
Public-domain text, read in full here on John Shaqi.
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