Bildungsromans; Domestic fiction; England -- Fiction; Mothers and daughters -- Fiction; Young women -- Fiction
“Well then if mother’s adorable why give her up? This I don’t mind
admitting she did, the day I speak of, let me see that she feels you’ve
done; but without suggesting either--not a scrap, please believe--that I
should make you any sort of scene about it. Of course in the first place
she knows perfectly that anything like a scene would be no use. You
couldn’t make out even if you wanted,” Nanda went on, “that THIS is one.
She won’t hear us--will she?--smashing the furniture. I didn’t think for
a while that I could do anything at all, and I worried myself with that
idea half to death. Then suddenly it came to me that I could do just
what I’m doing now. You said a while ago that we must never be--you
and I--anything but frank and natural. That’s what I said to myself
also--why not? Here I am for you therefore as natural as a cold in
your head. I just ask you--I even press you. It’s because, as she said,
you’ve practically ceased coming. Of course I know everything changes.
It’s the law--what is it?--‘the great law’ of something or other. All
sorts of things happen--things come to an end. She has more or less--by
his marriage--lost Mitchy. I don’t want her to lose everything. Do stick
to her. What I really wanted to say to you--to bring it straight out--is
that I don’t believe you thoroughly know how awfully she likes you. I
hope my saying such a thing doesn’t affect you as ‘immodest.’ One never
knows--but I don’t much care if it does. I suppose it WOULD be immodest
if I were to say that I verily believe she’s in love with you. Not, for
that matter, that father would mind--he wouldn’t mind, as he says, a
tuppenny rap. So”--she extraordinarily kept it up--“you’re welcome to
any good the information may have for you: though that, I dare say, does
sound hideous. No matter--if I produce any effect on you. That’s
the only thing I want. When I think of her downstairs there so often
nowadays practically alone I feel as if I could scarcely bear it. She’s
so fearfully young.”
This time at least her speech, while she went from point to point,
completely hushed him, though after a full glimpse of the direction it
was taking he ceased to meet her eyes and only sat staring hard at the
pattern of the rug. Even when at last he spoke it was without looking
up. “You’re indeed, as she herself used to say, the modern daughter! It
takes that type to wish to make a career for her parents.”
Public-domain text, read in full here on John Shaqi.
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