Bildungsromans; Domestic fiction; England -- Fiction; Mothers and daughters -- Fiction; Young women -- Fiction
Mr. Longdon had kept his eyes on her, but at this he turned away; not,
however, for an alternative, embracing her material situation with the
embarrassed optimism of Vanderbank or the mitigated gloom of Mitchy.
“Ah”--he took her up with some dryness--“you’ve been having things out
with yourself?” But he went on before she answered: “I don’t want any
tea, thank you. I found myself, after five, in such a fidget that I
went three times in the course of the hour to my club, where I’ve the
impression I each time had it. I dare say it wasn’t there, though, I
did have it,” he after an instant pursued, “for I’ve somehow a confused
image of a shop in Oxford Street--or was it rather in Regent?--into
which I gloomily wandered to beguile the moments with a mixture that if
I strike you as upset I beg you to set it all down to. Do you know in
fact what I’ve been doing for the last ten minutes? Roaming hither and
thither in your beautiful Crescent till I could venture to come in.”
“Then did you see Mitchy go out? But no, you wouldn’t”--Nanda corrected
herself. “He has been gone longer than that.”
Her visitor had dropped on a sofa where, propped by the back, he sat
rather upright, his glasses on his nose, his hands in his pockets and
his elbows much turned out. “Mitchy left you more than ten minutes ago,
and yet your state on his departure remains such that there could be a
bustle of servants in the room without your being aware? Kindly give me
a lead then as to what it is he has done to you.”
She hovered before him with her obscure smile. “You see it for
yourself.”
He shook his head with decision. “I don’t see anything for myself, and
I beg you to understand that it’s not what I’ve come here to-day to do.
Anything I may yet see which I don’t already see will be only, I warn
you, so far as you shall make it very clear. There--you’ve work cut
out. And is it with Mr. Mitchett, may I ask, that you’ve been, as you
mention, cutting it?”
Nanda looked about her as if weighing many things; after which her eyes
came back to him. “Do you mind if I don’t sit down?”
“I don’t mind if you stand on your head--at the pass we’ve come to.”
“I shall not try your patience,” the girl good-humouredly replied,
“so far as that. I only want you not to be worried if I walk about a
little.”
Mr. Longdon, without a movement, kept his posture. “Oh I can’t oblige
you there. I SHALL be worried. I’ve come on purpose to be worried, and
the more I surrender myself to the rack the more, I seem to feel, we
shall have threshed our business out. So you may dance, you may stamp,
if you like, on the absolutely passive thing you’ve made of me.”
“Well, what I HAVE had from Mitchy,” she cheerfully responded, “is
practically a lesson in dancing: by which I perhaps mean rather a lesson
in sitting, myself, as I want you to do while _I_ talk, as still as
a mouse. They take,” she declared, “while THEY talk, an amount of
exercise!”
“They?” Mr. Longdon wondered. “Was his wife with him?”
Public-domain text, read in full here on John Shaqi.
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