The Babe, B.A. : being the uneventful history of a young gentleman at Cambridge UniversityBenson, E. F. (Edward Frederic)
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The Babe, B.A. : being the uneventful history of a young gentleman at Cambridge University
Benson, E. F. (Edward Frederic)
Cambridge (England) -- Fiction; College stories; College students -- Fiction; University of Cambridge -- Fiction
The last echo from the roof died away, and the service began, and
though Reggie was not conscious of attending very closely to it, he was
still aware of the good and kindly atmosphere about him, an atmosphere
which soothed and quieted, and drove the thoughts inward. He had often
felt it before, on other winter afternoons in chapel, and as far as
he knew, for he did not consciously think about it, it had made no
difference to him. But as no impression is without its effects, we must
presume that it had made a difference to him, though he had not been
aware of it.
Not long before, the organ had been repaired, and in great part
renewed, and it was worthy of its surroundings and its appearance.
Golden sheaves of pipes gleamed out between the dark wooden case, and
on top of the two turrets looking west, stood two great angels with
brazen trumpets to their mouths, and when the “tuba” speaks, one cannot
help imagining that it is their trumpets which are sounding. To-day
“The Lord thundered out of heaven,” and one could think that the air
for a moment grew thick with sound, which increased till it shattered
the growing darkness, splitting it with lightning made audible.
By the end of the Psalms it had grown quite dark outside, and the
windows showed black between the delicate tracery. From the lectern
came the story of Nebuchadnezzar’s dream, “of the watcher and the Holy
One,” and afterwards of the Holy One who watched alone among the olives
in the Garden of Gethsemane, a king, not of Babylon, but of the whole
earth, who had not where to lay his head.
The stalls and sub-stalls were all full of members of the college, in
surplices, but the black crowd beyond stretched up to the steps of the
altar, and when the three bars of introduction to the solo began, every
one stood up. Mendelssohn, so often only correct, so often ruined by
his fatal prettiness, has here struck the right note, full and firm.
Even Reggie ceased to think of the evasiveness of the watchman, and
only listened, till the repeated call of the minor died away into a
long pause before the soprano answered, and the choir took up the full
chorus.
Outside in the ante-chapel, though only for a little while, the Babe
ceased from his customary futility of thought, and the slow opening of
the carved wooden doors in the screen, and the drawing of the crimson
curtain, at the end of service, still found him meditative.
Public-domain text, read in full here on John Shaqi.
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