Arundel prints hung on the walls, and somehow looked as incongruous there as Mrs. Chant at a music-hall, for the whole atmosphere was quite extraordinarily secular. Against the wall stood three or four large bookcases, on the top of which were arranged several admirable reproductions of antique bronzes and marbles. In one corner on the top of a scagliola pedestal stood the bust of the young Augustus in marble, and close to him a bronze Narcissus leaned and held up a listening finger. On each side of the clock on the mantel-piece was a nude figure of a youth in bronze, and Botticelli’s Madonna of the Magnificat looked down at them in mild surprise and seemed to be wondering to what sort of a place she had come. From a door on the right came the sounds of the slow movement of Beethoven’s _Sonata Pathétique_, arranged not as the composer mean it to be played, but for a cello, a violin and a piano; the piano was a little ahead, but the violin and cello which were running neck to neck, caught up to it in the scherzo that followed, and they all finished up amid indescribable indifference on the part of all present, a dead heat. Everyone talked loudly during the performance, and took not the slightest notice when it was over, with the exception of the genial host, who patted all three executants on the back and said “Awfully jolly, Charlie,” to the cellist. The duty of a good host, without doubt, is to make everybody talk, and certainly the musicians and Mr. Waddilove between them succeeded to admiration. The latter was as ubiquitous and as deft as Mr. Maskelyne’s hands when he is spinning plates, now giving a touch to the discussion on the standpoint of determinism, now spurring the Italian on to fresh deeds of violence towards the Queen’s English, now telling the Babe how he too, in his earlier years, once acted Clytemnestra with unparalleled success, and now persuading Charlie to give him another taste of his cello. In fact, the only group he did not speak to was that of the three earnest biscuit-nibblers, who had been joined by a fourth, and who appeared to be of no consequence whatever, as indeed they were not. Beyond the room where the music was going on, lay another smaller one, entirely lined with bookcases from floor to ceiling. In one corner stood a screen, and the Babe having the curiosity to peep over it, saw behind, Mr. Waddilove’s bed, presided over by a bronze reproduction of the head of “Sleep” from the British Museum. On the table stood a liqueur decanter containing a pale pink fluid of which the Babe took a glass. It reminded him vaguely of almonds and orange peel dissolved in cherry blossom scent, and Mr. Waddilove entering at the moment told him it was made exclusively on the estate of Count Zamboletto near Taormina in Sicily, where he himself had often stayed.