The Babe, B.A. : being the uneventful history of a young gentleman at Cambridge UniversityBenson, E. F. (Edward Frederic)
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The Babe, B.A. : being the uneventful history of a young gentleman at Cambridge University
Benson, E. F. (Edward Frederic)
Cambridge (England) -- Fiction; College stories; College students -- Fiction; University of Cambridge -- Fiction
“I don’t want to interfere,” he said, “but certainly there is room
for improvement in Cassandra. And I don’t want Mackay to think I am
meddling with him. I would much sooner not.”
“I think Mackay wishes it,” said Propert, “only he didn’t like saying
so.”
The Babe shrugged his shoulders.
“I didn’t gather that from his manner, but if you can assure me of it,
I will do my best with her.”
Dr. Propert heaved a sigh of relief.
“Too many cooks spoil the broth,” he said magnanimously. “We have too
many stage directors. We all of us really want you to manage the whole
thing. Some one will say your part this afternoon--I will myself--if
you will take the rehearsal alone. Besides, the architecture of the
palace is all wrong, and I have found a fifth century statue with
sandals on. There is a cast of it in the Museum, and I must get it
copied. We have our hands too full.”
So that afternoon Dr. Propert read out Clytemnestra’s part, and the
two other stage directors sat meekly in corners, and busied themselves
with sandals, and from the centre of the stalls the Babe issued his
orders, while Dr. Propert read his part in a fine sonorous voice
and in a modern Greek accent, which made the Iambic lines, so said
Mackay, who had made a special study of ancient metres, sound like
minor Galliambics. Cassandra exhibited mild surprise when the Babe
stopped her gurgling, and when he forbade her to ogle the place where
the Ophicleide should be, she felt like an unanchored ship, drifting
helplessly about among quicksands. So the Babe reserved her for private
instruction, and told Agamemnon not to go like Agag.
There was only a fortnight more before the performance, and the
Babe worked like a horse, and like Hans Müller made miracles. The
casual visitor to his rooms was likely to be confronted with a raging
prophetess or a credulous king, in front of whom stood the Babe showing
them how to rage or how to express the extremes of credulity. Dr.
Propert found enough to do in superintending the stage properties and
the second stage director became a sort of benignant elderly Mercury to
the Babe. Mackay alone held slightly aloof.
Public-domain text, read in full here on John Shaqi.
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