At the next monthly gathering of his fellow-collectors in their
attractive club-house Huntington took Hamlen with him as his guest. He
introduced him to his friends, but made no reference to the fact that he
was the creator of the productions of the Island Press. They listened to
an interesting paper, and then seated themselves at the long
supper-table to prove that even bibliomaniacs are human. Here Huntington
adroitly turned the conversation upon the subject of Hamlen's work.
Huntington had told his friend that when once he heard the opinions of
other collectors the words of praise spoken at Bermuda would seem mild;
and the prediction proved true. Hamlen's cheeks burned as he heard his
work extolled and himself compared to the master-printers of the past.
There could be no doubt of the sincerity of the comment, for no one but
Huntington knew his identity; and the pleasure he felt was so intense
that it almost overcame him.
As the discussion waned Huntington made his dramatic play. Each member
present was handed a copy of the "Areopagitica," on the fly-leaf of
which Hamlen had written his autograph.
"A gift from our guest," Huntington explained; "and each copy is
inscribed by the master-printer of the Island Press."
The silence which followed heightened the effect of Huntington's _coup_,
and Hamlen felt the blood rushing to his face. Huntington watched the
proceedings with evident relish, and as comprehension followed surprise
in the minds of his fellow-members he held his glass aloft.
"To the health, gentlemen, of Philip Hamlen, our master-printer, an
American, thank God, who knows how to preserve that art preservative of
all arts!"
It was the first triumph Hamlen had ever tasted, and as Huntington
watched his face he feared that in the desire to give him the confidence
of approval he had over-estimated his friend's physical strength. But
joy never kills, and the first weakness was conquered by the necessity
of living up to the position which had been thrust upon him. He
responded bravely, and Huntington smiled contentedly as he saw still
another barrier broken down between Philip Hamlen and the world he
believed to be against him. On their way home no word was spoken in the
motor-car, but when safe within the retreat of the library, which Hamlen
had learned to love, the pent-up emotion burst forth.
"Then I have done something after all!" he cried. "My life has not been
all a mistake! Heaven knows what a mess I've made of it, but at least
there is something saved out of the wreck? You think they meant it,
don't you, Huntington?" he asked beseechingly, and he found his answer
in the beaming countenance of his friend. "I had no idea it would mean
so much, that so wonderful an experience as I had to-night could ever
come to me. Even now I can't understand it. Those little books are only
expressions of myself; I made them merely for personal gratification."
Public-domain text, read in full here on John Shaqi.
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