Balkan Peninsula -- History; Eastern question (Balkan)
The five centuries of Turkish domination, during which all the arts and
most of the crafts were neglected in the Balkan Peninsula, killed nearly
completely the ancient civilisations of the Greeks, the Serbs, and the
Bulgars. But a few traces of the old culture survive to this day as
mournful and tattered relics of the greatness of those departed Empires.
The old Bulgarian Empire, combining a Slav with a Turconian element; the
old Serbian Empire, almost purely Slav but influenced a little by
Italian and Grecian influence, evolved in the days of its greatness the
beginnings of a national literature and national architecture. In Serbia
particularly was there a strong and promising growth of humane culture,
and the greatest of the Serbian rulers, Stephen Dushan (14th century),
whose death before the walls of Constantinople at the beginning of the
Turkish invasions gave up the Balkan Peninsula to the Crescent, left as
one monument to his name a well-reasoned code of laws. He was throughout
his reign a sincere friend of learning. In Bulgaria during the 10th
century, under the Czar Simeon, there was a brief efflorescence of
learning. Montenegro, which alone of the Balkan States kept its head
unbowed before the Turk, was a busy centre of literary effort in the
16th century. Under the stress of constant war, however, the arts of
peace died down almost completely in the Balkans until the Liberation of
the peoples in the 19th century. During the interval, however, the
peasants in their homes kept up some little knowledge of the traditions
of their forefathers' greatness. Legends were passed down from father to
son in chants set to a rough music. In these chants, too, were recorded
the deeds of heroism which marked the ever-recurring revolts against the
Turk.
What survives to-day from this period of oppression is a very
characteristic national music, melancholy usually, as might be expected,
but of arresting sweetness; and an art of peasant-applied decoration,
which recalls the earlier and more primitive forms of Byzantine Art.
Balkan tapestries, Balkan carpets, Balkan embroideries, woven or
stitched by the peasant women, have a note of barbaric boldness in
design and colour which distinguishes them at once from the peasant work
of other countries.
Public-domain text, read in full here on John Shaqi.
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