The man was at her elbow all the while she talked--so close that he
could easily overhear the other end of the dialogue. This was with a
purpose made manifest when Staff asked Eleanor where she was stopping,
when instantly the little man clapped his palm over the transmitter.
"Tell him the St. Regis," he said in a sharp whisper.
Her eyes demanded the reason why.
"Don't stop to argue--do as I say: it'll give us more time. The St.
Regis!"
He removed his hand. Blindly she obeyed, reiterating the name to Staff
and presently saying good-bye.
"And now--not a second to spare--hurry!"
In the hallway, while they waited for the elevator, he had further
instructions for her.
"Go to the desk and ask for your bill," he said, handing her the key to
her room. "You've money, of course?... Say that you're called
unexpectedly away and will send a written order for your trunks early in
the morning. If the clerk wants an address, tell him the Auditorium,
Chicago. Now ..."
They stepped from the dimly lighted hall into the brilliant cage of the
elevator. It dropped, silently, swiftly, to the ground floor, somehow
suggesting to the girl the workings of her implacable, irresistible
destiny. So precisely, she felt, she was being whirled on to her fate,
like a dry leaf in a gale, with no more volition, as impotent to direct
her course....
Still under the obsession of this idea, she went to the desk, paid her
bill and said what she had been told to say about her trunks. Beyond
that point she did not go, chiefly because she had forgotten and was too
numb with fatigue to care. The clerk's question as to her address failed
to reach her understanding; she turned away without responding and went
to join at the door the man who seemed able to sway her to his whim.
She found herself walking in the dusky streets, struggling to keep up
with the rapid pace set by the man at her side.
After some time they paused before a building in a side street. By its
low facade and huge sliding doors she dimly perceived it to be a private
garage. In response to a signal of peculiar rhythm knuckled upon the
wood by her companion, the doors rolled back. A heavy-eyed mechanic
saluted them drowsily. On the edge of the threshold a high-powered car
with a close-coupled body stood ready.
With the docility of that complete indifference which is bred of
deadening weariness, she submitted to being helped to her seat, arranged
her veil to protect her face and sat back with folded hands, submissive
to endure whatsoever chance or mischance there might be in store for
her.
The small man took the seat by her side; the mechanic cranked and jumped
to his place. The motor snorted, trembling like a thoroughbred about to
run a race, then subsiding with a sonorous purr swept sedately out into
the deserted street, swung round a corner into Broadway, settled its
tires into the grooves of the car-tracks and leaped northwards like an
arrow.
Public-domain text, read in full here on John Shaqi.
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