The Bandolero; Or, A Marriage among the MountainsReid, Mayne
History
The Bandolero; Or, A Marriage among the Mountains
Reid, Mayne
Mexico -- History -- 19th century -- Fiction
"It's the exact direckshin o' the shanty," whispered Sam. "They must be
_in_ it. Thar's somethin' goin' on, hear that? There's a bust! Darn
me, if they hain't got a _fandango_!"
It was an increased swelling in the sound that had called forth this
exclamatory language. A violin had joined its continuous strain to the
throbbing of the _jarana_; and several voices appeared to take part in
the conversation, which was carried on during the intervals of the
music.
There appeared to be nothing boisterous--no riot or roystering--only
such sounds as might be made by a party of pleasure-seekers engaged in a
picnic, or _dia de campo_--the chief difference being that it was _in
the night_!
Certainly the sounds were not such, as I should have expected to proceed
from a band of brigands engaged in an interlude of festivity.
"It's _them_!" whispered the driver of the diligencia--a better judge of
brigand music than myself. "The very chaps we're in search o'. They're
doin' a little bit o' divartin; an', cuss me, cap'n, ef I don't b'lieve
that them two gurls is joinin' willinly in the spree!"
I answered his speech only in thought. And a fell, fearful thought it
was.
"Dolores Villa-Senor not forced by cruel circumstances, but voluntarily
assisting at a carnival of _salteadores_!"
All thoughts of strategy were chased out of my mind. Even prudence for
the time forsook me. The remembrance of the past--the morbid imaginings
of the present--alike maddened me.
She upon whom I had fixed my affections--high and holy--the toy of a
robber-chief! Worse still; herself wanton and willing!
"Go on!" I said, grasping my guide by the arm; "on to the house! Let
us see what it means. On, on! There's no danger. In ten minutes I can
call my men around me; and if need be, we can run back to them. On! on!
I must see with my own eyes, if she can be so degraded!"
Without altogether comprehending why, Sam Brown saw that I was
determined on advancing; and, yielding to my impulsive command, once
more led the way.
CHAPTER THIRTY TWO.
PARADISE FROM THE PILLORY.
Another terrace was ascended; and before us stood the house--a massive
structure of quadrangular shape only one story in height, but surmounted
by an _azotea_ with a parapet running around it.
It was placed upon a platform of limited extent; backed by a precipitous
slope, of which the platform was the base; and flanked by two cliffs
that scarped off in the opposite direction--downward.
What might be called the gables of the dwelling were flush with the
flanking cliffs; but between its rear and the ascending slope was an
inclosed space--forming a _corral_, or courtyard.
Its _facade_ lay towards the smooth space in front; that declined gently
from the walls, like the glacis of a fortification.
Public-domain text, read in full here on John Shaqi.
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