The Banished: A Swabian Historical TaleHauff, Wilhelm
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The Banished: A Swabian Historical Tale
Hauff, Wilhelm
Ulrich, Duke of Württemberg, 1487-1550 -- Fiction
Albert, whose imagination was on the stretch, had expected to be
introduced to a low cavern, short and narrow, like the dwelling of wild
beasts, such as he had seen about the forests of his own country; but
what was his astonishment, when he entered an immense natural cavern,
resembling the lofty halls of a subterranean palace! He had heard in
his boyhood, from a man-servant whose great-grandfather had been
prisoner in Palestine, a story, which had been handed down from
generation to generation in his family, of a boy who had been enticed
by the arts of a wicked magician into a palace under ground, which
surpassed everything in magnificence he had ever seen above it, and
displayed to his view whatever the bold imagination of the east could
fancy of splendour. Golden pillars surmounted by crystal capitals,
arched cupolas studded with emeralds and sapphires, walls of diamonds
dazzling the eye by their numerous refracting rays, were united in this
subterranean habitation of the genii. This story, which had made a deep
impression on his youthful imagination, now came to his recollection,
and appeared to be realised in what he saw before him. He stopped every
moment in fresh surprise, and holding the torch high up, viewed in
amazement and wonder the lofty and majestic vaulted arches which
continued the whole length of the cavern, sparkling and glittering like
thousands of crystals and diamonds. But his astonishment was still more
excited when his leader, turning to the left, conducted him into a
spacious grotto, which fancy might figure to itself the magnificent
saloon of the subterranean palace.
The fifer could not help remarking the powerful impression which this
wonder of nature made on the mind of the young man. He took his torch
from him, and mounting a high jutting rock, illumined more effectually
the greatest part of the grotto.
Brilliant white rocks composed its walls. The bold arched cupola,
formed of innumerable stalactites, from the ends of which hung millions
of small drops of water, reflected the light in all the colours of the
rainbow. The surrounding rocks were thrown together in such happy
confusion, as to give the imagination full scope to fancy it could
discover in their grotesque shapes, here a chapel, having its high
altarpiece ornamented with flowing drapery; there its corresponding
pulpit of rich gothic architecture. An organ even was not wanting to
complete the idea of a subterranean church, and the changing shadows
thrown on the walls by the light of the torches, resembled the solemn
figures of martyrs and holy men placed in niches.
Public-domain text, read in full here on John Shaqi.
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