The banker and the bear : $b The story of a corner in lardWebster, Henry Kitchell
General
The banker and the bear : $b The story of a corner in lard
Webster, Henry Kitchell
Bankers -- Fiction; Didactic fiction; Political fiction; Social problems -- Fiction
The words were there, but he could not force them from his lips. If he
had but known it, there was small need of them. Her hand was resting
on the sofa right beside him. He knew, because his own had touched it
a moment ago; she had not taken it away. Yes, he could have told her
the story without words. But at last he went on again, speaking very
slowly:--
“Do you remember--I fancy you’ve not forgotten--long ago--it was
the second summer vacation you spent with us, the summer after I
graduated--one August evening I told you--”
“Yes, I remember.”
“And you told me I was mistaken; that you were perfectly sure that I
didn’t have the least idea of what it meant that I had told you. You
remember it, don’t you, Dick?”
She nodded. He was not looking at her, but he took her silence for
assent.
“I’ve learned these last few months that you were right; that I was
mistaken--”
It was not at all remarkable that neither of them heard John Bagsbury’s
steps as he neared the library door, nor that when he opened it they
both started violently. John peered about in the dark, groped his way
to the switch, and turned on the light. Then he saw who were sitting on
the sofa.
“Excuse me,” he said. “I--Alice told me you were here--” He looked
at them doubtfully for a moment, and then repeating, “Excuse me,” he
turned to leave the room.
“Oh, don’t go!” Dick exclaimed, somewhat breathlessly, “we were waiting
for you to come home. We wanted to talk with you--we turned out the
light because--”
Here the words seemed to stick. She turned sharply away, toward the
window, as it happened, and started to rise. John followed the glance.
“Don’t get up,” he said quickly. “I’ll draw the curtain.”
As John turned his back, Dick looked squarely at Jack Dorlin as though
challenging him to read whatever he could in her flushed face.
“Talk,” she commanded under her breath.
“I’ve been telling Miss Haselridge,” he said when John had returned and
seated himself near them, “that I thought I’d quit the bank.”
“I’m glad of that,” said the Banker.
Jack had never learned how not to be disconcerted by John Bagsbury’s
brief, unequivocal way of putting things. He had no wish to continue
this conversation; but feeling that he owed it to Dick to keep things
going somehow, he managed to give reasons for his decision.
“Understand,” said John, “it’s largely on your account that I’m glad
you have decided to try something else. Your work, so far as I know,
has been satisfactory. The trouble is you started out too late to do
much at this sort of business, and you aren’t naturally cut out for
it, anyway. I think you’re right, that you can do better at something
else. But you’ve done a hundred per cent better than I thought you
could; and if you’ll let me say so, you’ve increased my respect for you
in about the same ratio. I’ll be glad of the change on my own account,
too, because I’d rather know you as a friend from the outside than as
one of my employees.”
Public-domain text, read in full here on John Shaqi.
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