The barber's chair; and, The hedgehog lettersJerrold, Douglas William
General
The barber's chair; and, The hedgehog letters
Jerrold, Douglas William
English literature -- 19th century; English wit and humor
_Nutts._ Poor gentleman! And he has long sacrificed himself--and
nobody’s known it! Just as I’ve read of folks carrying iron spikes
about their waists, when people have thought they wore nothing harder
than fleecy hosiery. What a shame there shouldn’t be a House of
Commons’ “Book of Martyrs”! Then we should know our real sufferers.
_Peabody._ And a Berkeley go down to posterity with “a punch on the
head” (I wonder how _he_ likes it?) from his noble relation--for all
the world as old Fox sends down _his_ martyrs--in a copperplate picture.
_Nutts._ No notion, I suppose, of the next independent member for the
equally independent voters of Western Gloucester? Not known yet who’s
to wear the gold-band, the plush, and the family facings?
_Tickle._ That’s in the bosom of the Most Noble Lord Fitzhardinge!
He’ll do what’s right, I daresay.
_Peabody._ But isn’t there a law against peers of England dirtying
their precious white hands with making--just as children make
dirt-pies--members of Parliament?
_Nutts._ To be sure. But peers never do make ’em; they only say, Let
’em be made; and their journeymen see to that. A good deal of it’s
quite the same as doll-making; and there’s dolls in my house that
open their eyes and shut ’em--and speak to notes that go for “no” and
“yes”--and with these dolls I make all the profit I can. Only there’s
this difference: the dolls never pretend to be anything but dolls;
they are faithful to their wires, and when they speak, they never
for a moment try to say--that very difficult word for a doll of any
sort--“Independent.”
_Tickle._ Talking about dolls, I see they’ve married them little girls
in Spain. Mr Lewis Philips has got another daughter.
_Nosebag._ Seem to have made quite a ballet-dance of it. Seem to
have danced the princes from town to town--as if the holy state of
wedlock was to lead to nothing better than a jig. When the princes got
to Tolosa (_reads_), “a lively and original symphony announced the
approach of the dancers; at the head of these marched a choir of little
boys, arrayed in white dresses, all bespangled with gold, with diadems
on their heads, and guitars or lutes in their hands. Then advanced, in
double line, the male and female dancers--the latter in blue and white
dresses, the former in white pantaloons and pink waistcoats.”
_Nutts._ I see: the little boys “with diadems on their heads” is a
capital touch; and means the lot of little princes that’s to be born in
Paris, to be ready for the Spanish throne.
_Slowgoe._ And what does this mean? I mean this about “the fireworks”?
_Nutts._ The fireworks means the war that’s to be lighted for the
glory of France, when the King of the French is in the busum of his
partic’lar saint, and, gone from this world, has left to it the benefit
of bullets, bayonets, and saltpetre, besides the new diskiveries
that’s to beat Warner, and to blow up Maltar and Gibraltar by way of
experiment like.
Public-domain text, read in full here on John Shaqi.
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