The Bark Canoes and Skin Boats of North AmericaChapelle, Howard Irving
History
The Bark Canoes and Skin Boats of North America
Chapelle, Howard Irving
Canoes and canoeing -- North America; Indians of North America -- Boats; Skin boats -- North America
Although the most recent canoe forms employed by these three Indian
groups were very much the same, this may not have been the case
earlier. A common canoe model in this area was the so-called "crooked
canoe," in which there was a very marked fore-and-aft rocker to the
bottom without a corresponding amount of sheer; as a result the canoe
was much deeper amidships than near the ends. Another common model
had a rather straight bottom fore and aft, with some lift near the
ends and a corresponding amount of sheer. Between these was a hybrid
which had some fore-and-aft rocker in the bottom and a very moderate
sheer. Not until the 1870's was any detailed examination made of the
canoes in this area; then it appeared that the crooked canoe might be
the tribal model of the eastern Cree only, while the Nascapee employed
a straight-bottom model, but it is possible that the examination was
limited and that Nascapee use of the crooked canoe was simply not
observed. By 1900, however, the crooked model was in use not only by
the eastern Cree and the Nascapee but also by the Montagnais.
[Illustration: Figure 88
MONTAGNAIS CROOKED CANOE. (_Canadian Geological Survey photo._)]
In the area around Fort Chimo and at the northern ranges of the
eastern Cree and of the Montagnais the lack of good birch bark made it
necessary to make up the bark cover out of many small pieces. This not
only was laborious but made a rough and rather unsightly cover. Hence,
some of the northern builders, particularly the Nascapee, substituted
spruce bark, which was available in quite large sheets. The use of
the spruce bark, however, did not cause any of these people to depart
markedly from the model or the method of constructing birch-bark
canoes, as it did for the Indians in the maritime area.
Public-domain text, read in full here on John Shaqi.
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