The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 2 of 2Hall, S. C. (Samuel Carter)
History
The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 2 of 2
Hall, S. C. (Samuel Carter)
Historic buildings -- England
[59] The Sackvilles are an ancient and very distinguished family,
dating from the Conquest. The first Peer, the famous Lord Buckhurst
and Earl of Dorset, succeeded Burleigh as Lord Treasurer, an office
in which he was confirmed by King James. He is more celebrated,
however, as the author of the earliest English Tragedy in blank verse,
“Gordubuc,” and “The Induction to a Mirrour for Magistrates,” one of
the noblest Poems in the language. Gordubuc is praised by Sidney for
its “notable moralitie;” and the Poem is believed to have given use
to the Fairy Queen. All contemporaries agree in bearing testimony
to the virtues of this truly noble man. One of them thus draws his
character:--“How many rare things were in him! who more loving unto his
wife! who more kind unto his children! who more fast unto his friend!
who more moderate unto his enemy! who more true to his word!” The
sixth Earl of Dorset is also celebrated in the History of Literature:
he was one of the wits of the licentious court of Charles the Second;
the associate of Rochester, Villiers, and Sedley; but subsequently the
patron of Prior, Dryden, Butler, Congreve, Addison, and Pope. Prior he
rescued from a vintner’s tap, and Butler “owed to him that the court
tasted his ‘Hudibras.’” His reputation as an author rests upon a Poem
consisting of no more than eleven stanzas--the “song” beginning
“To all ye ladies now at land,”--
said to have been written on shipboard, on the night preceding a
sea-fight. It is an elegant composition, and manifests a “heedlessnesse
of danger” natural to a gallant youth. Pope hails him as
“the grace of courts, the Muses’ pride;”
and there can be no doubt that he was not only a generous and liberal
friend to men of letters, but a judicious patron to those who needed
help.
[60] The Dining Parlour--where, by the way, in 1645, the Court
of Sequestration met and deprived, for loyalty to his sovereign,
Edward, the fourth Earl of Dorset, of his estates--contains a series
of Portraits of men who, it is certain, met together often there,
assembled round the festive board of Charles, the sixth Earl. Among
the more interesting and important are those of Waller and Addison, by
Jarvis; Dr. Johnson, Garrick, and Goldsmith, by Sir Joshua Reynolds;
Otway, by Sir Peter Lely; Locke, Hobbes, Sedley, Newton, and Dryden,
by Kneller; Cowley and Rochester, by Du Boyce; Tom Durfey--in “a
conversation piece”--by Vandergucht; Burke, by Opie; together with
copies, by less famous hands, of Ben Jonson, Congreve, Wycherley, Rowe,
Garth, Swift, Cartwright, Pope, Betterton, Gay, Handel, &c., &c., &c.
Public-domain text, read in full here on John Shaqi.
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