It appears Mr. Whatton could meet with no intelligence prior to 1767. “SEACOME,” in his History of the House of Stanley, page 46, refers to it; also “ENFIELD,” in his History of Liverpool, 4to, 1774, page 115. These accounts have been copied by _Gough_, in his edition of Camden, and every subsequent writer. The very splendid and highly-finished specimen of the carved oak wainscot, common to the counties of Lancaster and Chester, is erected against the north wall of the room, and is divided perpendicularly from the ceiling, two-thirds of its extent downwards, into eight compartments, these compartments being again subdivided horizontally into five rows of panels; a space corresponding with the width of two of the compartments, on the right hand, with the exception of the uppermost panels, is occupied by the door-case, which projects into the room. That part of the wainscot which is usually allotted to the _frieze_ or cornice, is here formed into a _projecting head_, extending through the whole length of the works in a line with the ceiling of the room, to which it is attached and secured by _nine_ supporters, correspondent with the columns below. The columns which divide the wainscot into compartments rise from square ornamental pedestals; the shafts are fluted in two divisions, having capitals with volutes and rows of foliage, and supporting scrolls with massive square heads, increasing in diameter upwards, and reaching to the bottom of the first row of panels. The columns of the door-case are similar to those on the wainscot, except that the shafts are ornamented in zigzag instead of fluting; in the centre, over this door, is a shield with the arms of Norris, quartering Harrington, and Molyneux, and others we cannot decipher. With respect to the origin of this fine and beautiful work, there seems to be no evidence to support the current tradition of its having been originally Scottish. Mr. Whatton is of opinion, not only that it never came from Scotland, but that it was of neighbouring manufacture; and was executed for Edward Norris in 1598 (40th of Elizabeth), and not brought thither by his great uncle, Sir Edward, who fought at Flodden; but the probability is, that some relics brought from Scotland had been set up at Speke previous to the erection of the present Manor Hall in 1598; and as these would no doubt be transferred to the new building, it might have happened in the course of time, that what was strictly applicable to a part may have been ascribed to the whole. End of Project Gutenberg's The Baronial Halls; vol. 2 of 2, by S.C. Hall