the centre is the still beautiful Tomb of Sir Thomas Broke, the Lady Joan, and their ten sons and four daughters. It is of white marble; over which, upon a black slab, lie the effigies of the knight and dame. On either side, are those of five of their sons, kneeling, and wearing tabards, with their swords girded on. The figures of the four daughters are carved on the east and west ends of the superb monument. It bears the date 1561, under the arms of the Brokes quartered with those of the Cobhams. On the floor of the chancel are the famous “Cobham Brasses,” the most perfect and the most numerous assemblage now existing in the kingdom. The series consists of thirteen, recording the memory of the Cobhams and Brokes, “Lords and Barons of this town of Cobham, with many of their kindred, who for many descents did flourish in honourable reputation.” Of the thirteen, eight are in honour of the knights, and five are memorials of the dames. Of one of them we procured an engraving, in order to convey a somewhat accurate idea of the style and character of the series. It is to the memory of Sir Nicholas Hawberk, the third husband of Joan Lady Cobham; the carving, in this example, is very elaborate and refined. The knight is represented with folded hands under a canopy, “habited in plate armour, standing on a lion, with a sword and dagger dependent from a rich girdle, and has on a skull-cap, with a hauberk of mail.” The summit of the canopy is divided into three compartments, highly enriched with finials and pinnacles, and exhibiting the Trinity in the centre, and at the sides the Virgin and Child, and St. George killing the Dragon. At the feet of the knight is a youth standing on a pedestal. An inscription round the verge of the slab records the marriage of Sir Nicholas with Joan de Cobham[58]. “The College of Cobham” is now only a collection of alms-houses, to which presentations are made--of old people, without restriction to either sex--as vacancies occur, by the parish and ten other parishes adjacent. It lies immediately south of the church, and is entered by a small Gothic gateway. Its occupants are twenty aged men and women, who [Illustration]