"Oh, must I?" said Jeanie wistfully. "I never sleep much on these hot
nights. One can't breath so well lying down."
Avery looked at her with quick anxiety, but she had turned to Piers and
was leaning against him with a gentle coaxing air.
"Please, dear Piers, would it tire you to play to us?" she begged.
He looked down at her for a moment as if he would refuse; then very
gently he laid his hand on her head, pressing back the heavy, clustering
hair from her forehead to look into her soft eyes.
"What do you want me to play?" he said.
She made a wide gesture of the hands and let them fall. "Something big,"
she said. "Something to take to bed with us and give us happy dreams."
His lips--those mobile, sensitive lips--curved in a smile that made Avery
avert her eyes with a sudden hot pang. He released Jeanie, and turned
away to the door.
"I'll see what I can do," he said. "You had better go into the
garden--you and Avery."
They went, though Jeanie looked as if she would have preferred to
accompany him to the music-room. It was little cooler on the terrace than
in the house. The heat brooded over all, dense, black, threatening.
"I hope it will rain soon," said Jeanie, drawing her chair close
to Avery's.
"There will be a storm when it does," Avery said.
"I like storms, don't you?" said Jeanie.
Avery shook her head. "No, dear."
She was listening in tense expectancy, waiting with a dread that was
almost insupportable for the music that Piers was about to make. They
were close to the open French window of the music-room, but there was no
light within. Piers was evidently sitting there silent in the darkness.
Her pulses were beating violently. Why did he sit so still? Why was
there no sound?
A flash of lightning quivered above the tree-tops and was gone. Jeanie
drew in her breath, saying no word. Avery shrank and closed her eyes. She
could hear her heart beating audibly, like the throbbing of a distant
drum. The suspense was terrible.
There came from far away the growl and mutter of the rising storm. The
leaves of the garden began to tremble. And then, ere that roll of
distant thunder had died away, another sound came through the
darkness--a sound that was almost terrifying in its suddenness, and the
grand piano began to speak.
What music it uttered, Avery knew not. It was such as she had never heard
before. It was unearthly, it was devilish, a fiendish chorus that was
like the laughter of a thousand demons--a pandemonium that shocked her
unutterably.
Just as once he had drawn aside for her the veil that shrouded the Holy
Place, so now he rent open the gates of hell and showed her the horrors
of the prison-house, forcing her to look upon them, forcing her to
understand.
Public-domain text, read in full here on John Shaqi.
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