"If you jump at me like that I'll make you stop here another week," said Clancy. "Man alive, I hate humbug as much as any man; but don't you see that the Bureau must make sure of its case before it acts? We can't go before a judge until we have better evidence than the vague hearsay of twenty years ago. But, for goodness' sake, next time you grab Winifred, rush her to the nearest clergyman and make her Mrs. Carshaw, Jr. That'll help a lot. Leave me to get the Senator and the rest of the bunch. Now, if you'll be good, I'll show you the house where your Winifred was born!" CHAPTER XX IN THE TOILS East Orange seemed to be a long way from New York when Winifred hastened to the appointment at "Gateway House," traveling thither by way of the Tube and the Lackawanna Railway. More and more did it seem strange that a theatrical agent should fix on such a rendezvous, until a plausible reason suggested itself: possibly, some noted impresario had chosen this secluded retreat, and the agent had arranged a meeting there between his client and the great man whose Olympian nod gave success or failure to aspirants for the stage. The letter itself was reassuringly explicit as to the route she should follow. "On leaving the station," it said, "turn to the right and walk a mile along the only road that presents itself until you see, on the left, a large green gate bearing the name 'Gateway House.' Walk in. The house itself is hidden by trees, and stands in spacious grounds. If you follow these directions, you will have no need to ask the way." The description of the place betokened that it was of some local importance, and hope revived somewhat in her sorrowing heart at the impression that perhaps, after all, it was better she had failed in finding work at the bindery. Notwithstanding the charming simplicity of her nature, Winifred would not be a woman if she did not know she was good-looking. The stage offered a career; work in the factory only yielded existence. Recent events had added a certain strength of character to her sweet face; and Miss Goodman, who happened to be an expert dressmaker, had used the girl's leisure in her lodgings to turn her nimble fingers to account. Hence, Winifred was dressed with neat elegance, and the touch of winter keenness in the air gave her a splendid color as she hurried out of the station many minutes late for her appointment. Would she be asked to sing, she wondered? She had no music with her, and had never touched a piano since her music-master's anxiety to train her voice had been so suddenly frustrated by Rachel Craik. But she knew many of the solos from "Faust," "Rigoletto," and "Carmen"; surely, among musical people, there would be some appreciation of her skill if tested by this class of composition, as compared with the latest rag-time melody or gushing cabaret ballad.