The Bath Keepers; Or, Paris in Those Days, v.1: (Novels of Paul de Kock Volume VII)Kock, Paul de
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The Bath Keepers; Or, Paris in Those Days, v.1: (Novels of Paul de Kock Volume VII)
Kock, Paul de
French fiction -- Translations into English
"To death! Oh! forgive me, forgive me! but I am so happy, you see, at
this moment! I see you once more, I find you the very first day that I
am in Paris. Ah! I did not hope for so much good fortune! My dearest
friend, my only love! oh! tell me that you still love me, and I will
forget all the tears I have shed since you abandoned me. Tell me that
you are still my lover, my beloved, my Giova----"
"Again! Ah! Miretta, you will cause my ruin!"
"Oh! forgive me! but the pleasure, the joy of seeing you after such a
long separation---- I am mad, you see; I do not know what I say! Here,
feel how my heart beats! it is you, it is you, who are the cause! Oh!
speak to me, let me hear your loved voice again; let me be quite certain
that I am not the plaything of an illusion; for this costume, this gray
beard---- Oh! but it makes no difference! I see your eyes, I am sure
that I am not mistaken!"
"Come, come!" said Giovanni, passing the girl's arm through his; "let us
go away, first of all, from this fortress; the neighborhood of the Grand
Châtelet is not healthy for me."
The girl allowed her lover to lead her away; it mattered little to her
whither he took her; she was with the man to whom she had given her
heart and had sworn to devote her life. That great city which she did
not know, the darkness that encompassed her, the distant outcries that
reached her ears from time to time--thenceforth none of those things
frightened her, for she held Giovanni's arm.
The false Bohemian kept the girl walking for some time, pressing her arm
as soon as she attempted to speak, and motioning to her to maintain the
most profound silence. But Miretta's conductor seemed to know Paris
perfectly, and its most crooked, most deserted streets. After leading
her through several dark and narrow lanes, he came out on a small
square, stopped in front of a house, took a key from his pocket, opened
the door, and led his companion into the hall, saying:
"This is the hôtel where I live; give me your hand and let me lead you.
Don't be afraid; in a moment we shall be able to see; make no noise."
"Afraid! afraid! when I am with you! ah! you know me very little! See,
here is my hand! does it tremble? I am with you; what does it matter to
me where you take me? I shall always be happy with you."
A slight pressure of the hand replied to these words from Miretta; then
her guide led her up a staircase, stopped on the first floor, softly
opened a door, and ushered the girl into an apartment, where, by means
of a lamp burning at the back of the hearth, he speedily lighted several
candles. Giovanni then laid aside his cap, his wig, his great cloak, and
revealed a young man with a refined Italian face, whom we have already
seen in the plumed hat of the _soi-disant_ Comte de Carvajal, a guest at
the Hôtel du Sanglier, to which he had taken Miretta.
When she saw her lover stripped of all that paraphernalia which
disguised him, the girl ran to him and threw herself into his arms,
crying:
Public-domain text, read in full here on John Shaqi.
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