Historical fiction; Southern States -- History -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“Mean, sir?” he thundered in a rage. “It means, I reckon, that those damned
friends of yours have a mind to murder you. It means that after all your
speech-making and your brotherly love, they're putting pitchforks into the
hands of savages and loosening them upon you. Oh, you needn't mind Congo,
Governor. Congo's heart's as white as mine.”
“Dat's so, Ole Marster,” put in Congo, approvingly.
The Governor was trembling as he leaned down from his saddle.
“We know nothing as yet, sir,” he began, “there must be some--”
“Oh, go on, go on,” cried the Major, striking the carriage window. “Keep up
your speech-making and your handshaking until your wife gets murdered in
her bed--but, by God, sir, if Virginia doesn't secede after this, I'll
secede without her!”
The coach moved on and the Governor, touching his horse with the whip, rode
rapidly down the hill.
As he descended into the valley, a thick mist rolled over him and the road
lost itself in the blur of the surrounding fields. Without slackening his
pace, he lighted the lantern at his saddle-bow and turned up the collar of
his coat about his ears. The fine rain was soaking through his clothes, but
in the tension of his nerves he was oblivious of the weather. The sun might
have risen overhead and he would not have known it.
With the coming down of the darkness a slow fear crept, like a physical
chill, from head to foot. A visible danger he felt that he might meet face
to face and conquer; but how could he stand against an enemy that crept
upon him unawares?--against the large uncertainty, the utter ignorance of
the depth or meaning of the outbreak, the knowledge of a hidden evil which
might be even now brooding at his fireside?
A thousand hideous possibilities came toward him from out the stretch of
the wood. The light of a distant window, seen through the thinned edge of
the forest; the rustle of a small animal in the underbrush; the drop of a
walnut on the wet leaves in the road; the very odours which rose from the
moist earth and dripped from the leafless branches--all sent him faster on
his way, with a sound within his ears that was like the drumming of his
heart.
To quiet his nerves, he sought to bring before him a picture of the house
at Uplands, of the calm white pillars and the lamplight shining from the
door; but even as he looked the vision of a slave-war rushed between, and
the old buried horrors of the Southampton uprising sprang suddenly to life
and thronged about the image of his home. Yesterday those tales had been
for him as colourless as history, as dry as dates; to-night, with this new
fear at his heart, the past became as vivid as the present, and it seemed
to him that beyond each lantern flash he saw a murdered woman, or an infant
with its brains dashed out at its mother's breast. This was what he feared,
for this was what the message meant to him: “The slaves are armed and
rising.”
Public-domain text, read in full here on John Shaqi.
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