He was born in a tenement in that section where the Gilder Tenement House Commission found 324,000 persons living out of sight and reach of a green spot of any kind, and where sometimes the buildings--front, middle, and rear--took up ninety-three per cent of all the space in the block. Such a home as he had was there, and of the things that belonged to it he was the heir. The sunlight was not among them. It "never entered" there. Darkness and discouragement did, and dirt. Later on, when he took to the dirt as his natural weapon in his battles with society, it was said of him that it was the only friend that stuck to him, and it was true. Very early the tenement gave him up to the street. The thing he took with him as the one legacy of home was the instinct for the crowd, which meant that the tenement had wrought its worst mischief upon him; it had smothered that in him around which character is built. The more readily did he fall in with the street and its ways. Character implies depth, a soil, and growth. The street is all surface. Nothing grows there; it hides only a sewer. [Illustration: Jacob Beresheim.] It taught him gambling as its first lesson, and stealing as the next. The two are never far apart. From shooting craps behind the "cop's" back to filching from the grocer's stock or plundering a defenceless pedler is only a step. There is in both the spice of law-breaking that appeals to the shallow ambition of the street as heroic. At the very time when the adventurous spirit is growing in the boy, and his games are all of daring, of chasing and being chased, the policeman looms up to take a hand, and is hailed with joyful awe. Occasionally the raids have a comic tinge. A German grocer wandered into police headquarters with an appeal for protection against the boys. "Vat means dot 'cheese it'?" he asked, rubbing his bald head in helpless bewilderment. "Efery dime dey says 'cheese it,' somedings vas gone."