The Battle with the SlumRiis, Jacob A. (Jacob August)
History
The Battle with the Slum
Riis, Jacob A. (Jacob August)
Poor; Poor -- New York (State) -- New York; Tenement houses -- New York (State) -- New York
when the newspapers spoke of his having read them a severe lecture on
gambling or Sunday beer-selling. Byrnes it worshipped, but for the
others who were before him and followed after, it cherished a
neighborly sort of contempt.
In the character of its population Cat Alley was properly cosmopolitan.
The only element that was missing was the native American, and in this
it was representative of the tenement districts in America's chief city.
The substratum was Irish, of volcanic properties. Upon this were imposed
layers of German, French, Jewish, and Italian, or, as the alley would
have put it, Dutch, Sabe, Sheeny, and Dago; but to this last it did not
take kindly. With the experience of the rest of Mulberry Street before
it, it foresaw its doom if the Dago got a footing there, and within a
month of the moving in of the Gio family there was an eruption of the
basement volcano, reenforced by the sanitary policeman, to whom
complaint had been made that there were too many "Ginnies" in the Gio
flat. There were four--about half as many as there were in some of the
other flats when the item of house rent was lessened for economic
reasons; but it covered the ground: the flat was too small for the Gios.
The appeal of the signora was unavailing. "You got-a three bambino," she
said to the housekeeper, "all four, lika me," counting the number on her
fingers. "I no putta me broder-in-law and me sister in the street-a.
Italian lika to be together."
The housekeeper was unmoved. "Humph!" she said, "to liken my kids to
them Dagos! Out they go." And they went.
Up on the third floor there was the French couple. It was another of the
contradictions of the alley that of this pair the man should have been a
typical, stolid German, she a mercurial Parisian, who at seventy sang
the "Marseillaise" with all the spirit of the Commune in her cracked
voice, and hated from the bottom of her patriotic soul the enemy with
whom the irony of fate had yoked her. However, she improved the
opportunity in truly French fashion. He was rheumatic, and most of the
time was tied to his chair. He had not worked for seven years. "He no
goode," she said, with a grimace, as her nimble fingers fashioned the
wares by the sale of which, from a basket, she supported them both. The
wares were dancing girls with tremendous limbs and very brief skirts of
tricolor gauze,--"ballerinas," in her vocabulary,--and monkeys with tin
hats, cunningly made to look like German soldiers. For these she taught
him to supply the decorations. It was his department, she reasoned; the
ballerinas were of her country and hers. _Parbleu!_ must one not work?
What then? Starve? Before her look and gesture the cripple quailed, and
twisted and rolled and pasted all day long, to his country's shame,
fuming with impotent rage.
"I wish the devil had you," he growled.
She regarded him maliciously, with head tilted on one side, as a bird
eyes a caterpillar it has speared.
"Hein!" she scoffed. "Du den, vat?"
Public-domain text, read in full here on John Shaqi.
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