The Bayeux Tapestry ElucidatedBruce, J. Collingwood (John Collingwood)
History
The Bayeux Tapestry Elucidated
Bruce, J. Collingwood (John Collingwood)
Bayeux tapestry
Early in the battle the brothers of Harold, Gurth and Leofwin fell. The
fact is indicated by the superscription, HIC CECIDERUNT LEWINE ET GURTH
FRATRES HAROLDI REGIS--Here fell Leofwin and Gurth, the brothers of
Harold the King. Bravely had they sustained their brother in his
efforts to resist the invader, and doubtless they had, in the excess of
their zeal, needlessly hazarded their lives. According to Wace, they did
not fall until after Harold had been slain. This is one of the points in
which the worsted chronicle differs from the _Roman de Rou_. In a
battle, where all is confusion--where few can obtain a general view of
what passes--and where each is intensely occupied with his own
foeman--it is exceedingly difficult for any one to give a just account
of the whole scene, or to reconcile the conflicting statements of
others. All our historians agree that both the brothers of Harold were
slain in the battle of Hastings;--had it been otherwise William would
not have been crowned at Westminister that Christmas.
Following, on the Tapestry, the death of Gurth and Leofwin (_Plate XV._)
is a scene thus labelled: HIC CECIDERUNT SIMUL ANGLI ET FRANCI IN
PRELIO. The scene is here most animated. Saxons and Normans are mingled
in a close encounter. Horses and men exhibit the frantic contortions of
dying agony. At the further end of the compartment a party of Saxons,
posted on a hill, exposed to the enemy on one side, but protected by a
forest (represented by a tree) on the other, seem to be making head
against their assailants. The Normans had attacked the Saxon encampment
with the utmost impetuosity in front and in flank. The Saxons maintained
their ground well, but some, through fear or misadventure, were
constrained to flee. The victorious Normans, strongly armed and well
mounted, pursued the flying footmen. In doing so, they left not only
their own army, but that of Harold in
[Illustration: PLATE XV.]
Public-domain text, read in full here on John Shaqi.
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