The Bayeux Tapestry ElucidatedBruce, J. Collingwood (John Collingwood)
History
The Bayeux Tapestry Elucidated
Bruce, J. Collingwood (John Collingwood)
Bayeux tapestry
eminence alluded to must have been the ridge rising from Mount Street to
Caldbeck Hill, and the _Malfosse_ some part of the stream which, flowing
at its feet, runs in the direction of Watlington, and becomes a
tributary of the Rother. This rivulet occasionally overflows its banks,
and the primitive condition of the adjacent levels was doubtless that
of a morass, overgrown with flags, reeds, and similar bog vegetables.
Thanks, however, to good drainage, this ‘bad ditch’ no longer remains.
The name was corrupted, previously to 1279, to Manfosse, and a piece of
land called Wincestrecroft, in Manfosse, was ceded to the Abbey of
Battle in that year. Now Wincestrecroft is still well known, and lies in
the direction specified, west by north of the present town of
Battle.”[98]
The English, after having exterminated their pursuers, regained the
eminence on which the main body was encamped.
This was the most critical period of the day’s fight. The varlets who
had been set to guard the harness of the Normans, began to abandon it.
The priests who had confessed and blessed the army in the morning, and
had meanwhile retired to a neighbouring height, began to take themselves
off. In this extremity Odo interfered, and turned the fate of the
battle. The description in the _Roman de Rou_ precisely corresponds with
the drawing in the Tapestry. Wace says, “Then Odo, the good priest, the
Bishop of Bayeux, galloped up, and said to them ‘Stand fast, stand fast!
be quiet and move not! fear nothing, for if it please God, we shall
conquer yet.’ So they took courage, and rested where they were; and Odo
returned galloping back to where the battle was most fierce, and was of
great service on that day. He had put a hauberk on, over a white aube,
wide in the body, with the sleeves tight; and sat on a white horse, so
that all might recognize him. In his hand he held a mace, and wherever
he saw most need, he led up and stationed the knights, and often urged
them on to assault and strike the enemy.” With this description the
Tapestry exactly accords, except in the colour of the horse; it however
represents it as being sufficiently conspicuous.
Public-domain text, read in full here on John Shaqi.
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