The Beautiful Wretch; The Pupil of Aurelius; and The Four MacnicolsBlack, William
General
The Beautiful Wretch; The Pupil of Aurelius; and The Four Macnicols
Black, William
Great Britain -- Fiction
Now this was odd: that, whenever Nan's name was mentioned, Frank King
always glanced up with a quick look, as if he were surprised. Was he
beginning to believe, then, as he had tried to make himself believe,
that this was the real Nan Beresford now on the other side of the
table? Was he surprised to be reminded of the other Nan far away--and
now no doubt greatly altered from her former self? Madge Beresford was
aware that her neighbour opposite regarded her very frequently--and she
pretended not to be conscious of it; but once or twice when she looked
up and her eyes met his, she thought there was an oddly wistful or even
puzzled expression in those dark blue eyes that Edith was always
talking about.
After luncheon Lady Beresford retired to her room, as was her wont; the
two young ladies went upstairs to the drawing-room, and Captain King
accompanied them, for Madge had asked him to advise her about the
rigging of some boats she had been sketching. Mr. Tom remained below
to practise the spot stroke.
In the drawing-room Miss Edith hoped that her playing a little would
not interfere with their artistic pursuits; and Madge went and got her
sketch-book and water-colours, and carried them to a small table at one
of the windows, and sat down. Captain King remained standing.
The sketches, to tell the truth, were as bad as bad could be. They
were all experimental things, done out of her own head, aiming at a
land of the beautiful, unknown to anybody on earth but the
chromo-lithographer. The actual sea was out there, staring her in the
face, and there were boats on the beach and boats on the water; but
instead of trying her hand at anything before her, she must needs
imagine lovely pictures, mostly of blue and pink, with goats perched on
brown crags, and an ill-drawn eagle soaring over an Alpine peak. There
were, however, one or two sketches of mist or moonlight or thunderstorm
that had certainly a weird and eerie effect; but it was not necessary
to tell the spectator that these had been got in moments of impatience
when, after laborious trials at brilliant-hued scenes, the angry artist
had taken up a big brush and washed the whole thing into
chaos--thereby, to her astonishment, reaching something, she did not
know exactly what, that was at all events mysterious and harmonious in
tone.
But it was the shipping about which she had sought his advice. The
little white dots on blue lakes that were supposed to be feluccas or
barchettas he passed; but when it came to a big sailing-boat lying on a
beach, and that beach presumably Cornish, from the colour of the rocks,
he made a civil and even timid remonstrance.
'I don't think I would have the mast quite in the middle of the boat,
if I were you,' said he, gently.
'I thought it always was,' she said--and yet if she had gone to the
window she might have seen.
Public-domain text, read in full here on John Shaqi.
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