Man-woman relationships -- Fiction; Married women -- Fiction; Rich people -- Fiction
"Darn Willoughby!" Alice breathed hard as she muttered the words between
her clenched teeth, the vivid scarlet of hot anger suffusing her face.
Preston turned quickly to her, throwing away his cigarette, and ceasing
to regard the brilliant garden through meditative, half-closed eyes.
"What is it?" he asked. "Something has worried you."
"No," she smiled, with an effort, and shrugged the matter lightly off
her shoulders, "some mistake about a very trifling matter. It annoyed me
for a second, that is all."
For a moment or two neither spoke. Alice was watching the flight of a
butterfly that soared in the air until almost out of sight and then came
back to drift about a group of tall, white yuccas.
"Hayward, do you still love me as much as you did ten minutes ago?" She
smiled charmingly at him, that very, very especial smile of hers, and
he, with his rather slow perceptions quickened by love, read
capitulation and a real affection in her softened eyes.
[Illustration: "Hayward, do you love me?"]
"Alice!" And the depth and fervor of his love will be appreciated when
it is recorded that he, Hayward Preston, the most conventional of men,
deliberately tilted her rose-lined parasol and in the face of the world
and before the very eyes of an advancing couple, kissed her.
CHAPTER XVIII
PLAYING THE GAME
It was only a day or two after her arrival in New York that Fuschia
Fleming, who had been rehearsing the greater part of the night, opened
her sleepy eyes in the hotel chamber to find her maid bending above her
with a visiting card in one hand and a perplexed expression upon her
face.
"I hated to waken you, Miss Fuschia," she said, "but when I saw the
name--"
"What is the name?" Fuschia's voice was drowsily indifferent.
"Mrs. Cresswell Hepworth."
"_Mrs._ Cresswell Hepworth!" Both indifference and sleepiness were
things of the past. Miss Fleming sat up in bed with a spring. "She's in
the parlor, isn't she? Here, Martha Mary, hustle about. Get me out my
gold-colored kimono with the silver wistaria on it, and some yellow
stockings and slippers. Tell her I regret having to keep her waiting,
late at rehearsal last night. You know the proper thing. Now, go ahead
and do your prettiest and then dance back here and help me get into
things."
Public-domain text, read in full here on John Shaqi.
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