The Bed-Book of Happiness: Being a colligation or assemblage of cheerful writings brought together from many quarters into this one compass for the diversion, distraction, and delight of those who lie abed,—a friend to the invalid, a companion to the sleepless, an excuse to the tiredBegbie, Harold
General
The Bed-Book of Happiness: Being a colligation or assemblage of cheerful writings brought together from many quarters into this one compass for the diversion, distraction, and delight of those who lie abed,—a friend to the invalid, a companion to the sleepless, an excuse to the tired
Begbie, Harold
Literature -- Collections
The only possible explanation of the matter is that Vivier executed a
very rapid arpeggio, so that the four notes which apparently were heard
together were, in fact, heard one after the other. The effect, however,
was not that of an arpeggio, but of a chord of four different notes
played simultaneously on four different instruments.
Both for home and for out-of-doors use the mystifications practised by
Vivier were as numerous as they were varied. In an omnibus, when some
grave old lady had just risen from her seat, Vivier would assume an
expression of the utmost astonishment, and suddenly take from the place
where she had been sitting an egg, which meanwhile he had been
concealing up his sleeve.
Or, asked to pass a coin to the conductor, he would gravely put it into
his pocket. A well-dressed, well-bred gentleman, of charming manners,
could scarcely be suspected of any intention to misappropriate a
two-sous piece. But it interested Vivier to see what, in the
circumstances, the lawful owner of the coin would do. On one occasion
Vivier, in an omnibus, alarmed his fellow passengers by pretending to be
mad. He indulged in the wildest gesticulations, and then, as if in
despair, drew a pistol from his pocket. The conductor was called upon by
acclamation to interfere, and Vivier was on the point of being disarmed
when suddenly he broke the pistol in two, handed half to the conductor
and began to eat the other half himself. It was made of chocolate!
Vivier could not bear to see people in a hurry. According to him, there
was nothing in life worth hurrying for; and living on the Boulevard just
opposite the Rue Vivienne, he was much annoyed at seeing so many persons
hastening, towards six o'clock, to the post office on the Place de la
Bourse. He determined to pay them out, and for that purpose bought a
calf, which he took up to his apartments at night and exhibited the
next afternoon at a few minutes before six o'clock, in the balcony of
his second floor. In spite of their eagerness to catch the post, many
persons could not help stopping to look at the calf. Soon a crowd
collected, and messengers stayed their steps in order to gaze at the
unwonted apparition. Six o'clock struck, and soon after a number of men
who had missed the post returned in an irritated condition, and,
stopping before Vivier's house, shook their fists at him. Vivier went
down to them, and asked the meaning of this insolence.
"We were not shaking our fists at you," replied the angered ones, "but
at that calf."
"Ah! you know him then?" returned Vivier. "I was not aware of it."
In time Vivier's calf became the subject of a legend, according to which
the animal (still in Vivier's apartments) grew to be an ox, and so
annoyed the neighbours by his lowing that; the proprietor of the house
insisted on its being sent away. Vivier told him to come; and take it,
when it was found that the calf of other days had grown to such a size
that it was impossible to get it downstairs.
Public-domain text, read in full here on John Shaqi.
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