The Bed-Book of Happiness: Being a colligation or assemblage of cheerful writings brought together from many quarters into this one compass for the diversion, distraction, and delight of those who lie abed,—a friend to the invalid, a companion to the sleepless, an excuse to the tiredBegbie, Harold
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The Bed-Book of Happiness: Being a colligation or assemblage of cheerful writings brought together from many quarters into this one compass for the diversion, distraction, and delight of those who lie abed,—a friend to the invalid, a companion to the sleepless, an excuse to the tired
Begbie, Harold
Literature -- Collections
He had not mounted half a mile higher when, coming to a flinty piece of
road, the poor devil lost a second shoe, and from off his other
fore-foot; I then got out of the chaise in good earnest, and, seeing a
house about a quarter of a mile to the left hand, with a great deal to
do, I prevailed upon the postillion to turn up to it. The look of the
house, and of everything about it, as we drew nearer, soon reconciled me
to the disaster. It was a little farm-house, surrounded with about
twenty acres of vineyard, about as much corn, and close to the house, on
one side, was a _potagerie_ of an acre and a half, full of everything
which could make plenty in a French peasant's house; and, on the other
side, was a little wood, which furnished wherewithal to dress it. It was
about eight in the evening when I got to the house, so I left the
postillion to manage his point as he could; and, for mine, I walked
directly into the house.
The family consisted of an old grey-bearded man and his wife, with five
or six sons and sons-in-law, and their several wives, and a joyous
genealogy out of them.
They were all sitting down together to their lentil-soup, a large
wheaten loaf was in the middle of the table, and a flagon of wine at
each end of it promised joy through the stages of the repast; 'twas a
feast of love.
The old man rose up to meet me, and with a respectful cordiality would
have me sit down at the table; my heart was set down the moment I
entered the room; so I sat down at once, like a son of the family; and,
to invest myself in the character as speedily as I could, I instantly
borrowed the old man's knife, and, taking up the loaf, cut myself a
hearty luncheon; and, as I did it, I saw a testimony in every eye, not
only of an honest welcome, but of a welcome mixed with thanks that I had
not seemed to doubt it.
Was it this? or tell me, Nature, what else it was that made this morsel
so sweet; and to what magic I owe it, that the draught I took of their
flagon was so delicious with it, that they remain upon my palate to this
hour.
If the supper was to my taste, the grace which followed it was much more
so.
THE GRACE
[Sidenote: _Sterne_]
When supper was over the old man gave a knock upon the table with the
haft of his knife, to bid them prepare for the dance. The moment the
signal was given, the women and girls ran off together into a back
apartment to tie up their hair, and the young men to the door to wash
their faces and change their _sabots_; and in three minutes every soul
was ready upon a little esplanade before the house to begin. The old man
and his wife came out last, and, placing me betwixt them, sat down upon
a sofa of turf by the door.
The old man had, some fifty years ago, been no mean performer upon the
_vielle_; and at the age he was then of, touched it well enough for the
purpose. His wife sang now and then a little to the tune, then
intermitted and joined her old man again, as their children and
grandchildren danced before them.
Public-domain text, read in full here on John Shaqi.
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