The Bell in the Fog and Other StoriesAtherton, Gertrude Franklin Horn
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The Bell in the Fog and Other Stories
Atherton, Gertrude Franklin Horn
Gothic fiction; Short stories; United States -- Social life and customs -- Fiction
His attention was momentarily distracted by the remarkable antics of an
elderly man. This person was bowing and genuflecting before the goddess,
rolling his eyes upward, throwing out his hands, clasping and wringing
them--a pantomime of speechless admiration. To Andrew he looked like an
elderly billy-goat with a thorn in its hoof. The goddess looked down
upon him with an expression of good-natured contempt. The men applauded
heartily. Andrew once more riveted his gaze on the face which had
completed his undoing. In a moment the girl's clear eyes met his, then
moved past as indifferently as if she had gazed upon space. Andrew
turned, forgetting his hat, and almost ran from the house, down the
street, and up the stairs to his apartment. He flung himself into a
chair, buried his face in his hands, and groaned aloud. The hopelessness
of his case surged through his brain with pitiless reiteration. He
might as well attempt to fly to one of the cold stars above his casement
as to besiege the society of New York. There was literally no human
being out of earth's millions to give him the line that would pass him
through those open invincible portals. Had he been a baboon from Central
Africa, his chances would have been better; he would have compelled
their attention for a moment.
There were heavy _portières_ over his door; no one could hear his
groans, and he afforded himself that measure of relief. The tears ran
down his cheeks; he twisted his strong hands together. Those whose
hearts have been convulsed by the bitterness of love, by the loss of
children, by the downfall of great hopes, may read with scorn this
suffering of a snob. It may seem a mean and trivial emotion. But he has
had scant opportunity to study his kind who knows nothing of the power
of the snob to suffer. An artist may toil on unrecognized, yet with the
deep delight of his art as compensation. A man in public life may be
stung with a thousand bitter defeats, but he has the joy of the fight,
the self-respect of legitimate ambition. But for the repeated defeats of
even the successful snob, what compensation? Step by step he climbs, to
find another still to mount, each bristling with obstacles, to which he
yields the shreds and patches of his self-respect. The bitter knowledge
that he is on tolerance is ever with him--that no matter how high he
rises, he can never reach his goal, for at the goal are only those who
have never known the need to strive. 'Tis a constant battle for a
soap-bubble, an ambition without soul.
Public-domain text, read in full here on John Shaqi.
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