New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; United States -- History -- War of 1812 -- Fiction
‘one place was as good as another.’ Then they agreed that the weapons
should be rapiers, and Gilson laughed scornfully, and ‘hoped the
clearing at Hahn’s wood was not too large, for he intended close
quarters. Murray,’ he said, ‘could not have half an acre to skip about
in.’ To which fresh insult Achille answered that if Mr. Gilson wished
close quarters he felt sure Mr. Murray would be delighted to fight on a
billiard table.”
“I like Achille, mother, yes I do!”
“Achille is a good friend in need. He made all other arrangements for
the duel, and Gilson promised that he and his friend Myron Hays would be
on the ground at half-past seven the following morning. He used a deal
of very bad language in making these arrangements. Your father said we
could imagine it as bad as we chose, and that then it would come far
short of the reality.”
“So there was a duel this morning! Oh, mother, if I had only known!”
“Do not hurry me, Sappha. I want to tell you all just as it happened.
Leonard did not trust Gilson’s promise, nor did Achille. They determined
to watch him; and they found out two things: first, that he intended
leaving New York for Boston soon after seven; second, that he had
ordered breakfast for himself and Myron Hays fifteen minutes before
seven at the City Hotel.”
“But, mother, Gilson must have known that Leonard stayed at the City
Hotel?”
“Of course he knew; but he felt sure Leonard would be crossing the river
at that time. Then he would have taken his breakfast, sending the while
repeated inquiries as to whether any one had seen Leonard or St. Ange,
and affecting great indignation at their non-appearance. Finally some
insolent message of future defiance and punishment would have been left
with the proprietor for Leonard. Oh, can you not see through the
foolish, cowardly plan?”
“It was a contemptible scheme, and full of weak points, mother,”
answered Sappha.
Public-domain text, read in full here on John Shaqi.
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