New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; United States -- History -- War of 1812 -- Fiction
It was Leonard, also, who hung behind the dais on which Mayor Clinton,
Decatur, Hall, and the officers of the navy were to sit, the mainsail of
a ship thirty-three feet by sixteen, on which the American eagle was
painted, holding in his beak a scroll bearing these significant words:
“Our children are the property of our country.” There were many other
transparencies to attend to; besides which, every table was to bear a
miniature warship with American colours displayed. And to the five
hundred gentlemen of New York, who sat down to the dinner served in that
room, these were no childish symbols. They were the palpable, visible
signs of a patriotism that meant freedom or death, and nothing less.
In the midst of all the business connected with such preparations, in a
time when the things wanted were not always procurable, and had to be
supplied by the things that could be obtained, Leonard--whose heart was
hot in his work of patriotism--was naturally very busy and very much
occupied with the work on hand. Yet he found time sufficient to see
Sappha often enough to convince her he had not fallen away from the
promise he had made her--“to harbour no unworthy suspicions of any one
who loved him.”
At length New Year’s Eve arrived. More than three hundred of New York’s
loveliest women had been for weeks preparing for it, and all were eager
for the pleasure it promised them.
The Bloommaert party, consisting of the judge, Mrs. Bloommaert, Sappha,
and Annette, were early arrivals; and Leonard, who was one of the
directors, met them at the door. And he looked so noble, and so
handsome, and his manner was so fine and gracious, that even Judge
Bloommaert was impressed by his personality, and returned his greeting
with unusual warmth. But then, as Leonard reflected, any man who failed
in politeness, or even in cordiality, in the presence of three such
lovely women as Sappha, Annette, and Mrs. Bloommaert, would surely be
something less than human.
Mrs. Bloommaert’s beauty was yet in its ripe perfection. She was as the
full blown rose that has not yet dropped a single leaf. She wore a gown
of white satin covered with a netting of gold thread; and there was a
string of pearls round her throat, and a large comb in form the braids
and bows of her glossy black hair. She carried in her hand a little fan
of exquisite workmanship, and used it with a grace that no woman in the
room, old or young, could imitate.
Public-domain text, read in full here on John Shaqi.
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