"I mean that what I am telling you is for your ears alone. I am
placing a confidence in you, the greatest confidence a man can place in
a girl. Or in a woman, Florence. I am trusting that what I say will
remain just between you and me for the present. . . . When I come back
I will be no longer just Jim Galloway of the Casa Blanca, but Galloway
of one of the biggest grants in Mexico, with mile after mile of fertile
lands, with a small army of servants, vaqueros, and retainers, a sort
of ruler of my own State! It sounds like a fairy-tale, Florence, but
it is the sober truth made possible by conditions below the border. My
estates will run down to the blue water of the Gulf; I shall have my
own fleet of ocean-going yachts; there is a port upon my own land.
There will be a home overlooking the sea like a king's palace. Will
you think of all that while I am gone? Will you think of me a little,
too? Will you remember that my little kingdom is crying out for its
queen? . . . No; I am not asking you to answer me now. I am just
asking that you hold this as our secret until I come back. Until I
come back for you! . . . I shall stand here until you reach your
home," he broke off suddenly. "Good night, my dear."
"Good night," said Florence faintly, a little dazed by all that he had
said to her. Then, running through the shadows to her home, she was
thinking of the boy who had wished to propose to her and of the man who
had done so; of Elmer's little home upon the knoll surrounded by a cow,
a horse, and some pigs . . . and of a big house like a palace looking
out to sea across the swaying masts of white-sailed, sea-going yachts!
CHAPTER XXI
A CRISIS
Like Norton, Virginia found life simplifying itself in a crisis. Upon
three hundred and sixty days or more of the average year each
individual has before him scores of avenues open to his thoughts or to
his act; he may turn wheresoever he will. But in the supreme moments
of his life, with brief time for hesitation granted him, he may be
forced to do one of two things: he must leap back or plunge forward to
escape the destiny rushing down upon him like a speeding engine
threatening him who has come to stand upon the crossing. Now Virginia
saw clearly that she must submit to Norton's mastery and remain silent
in the King's Palace or she must seek to escape and tell what she knew
or . . . Was there a remaining alternative? If so it must present
itself as clearly as the others. Action was stripped down to
essentials, bared to its component elements. True vision must
necessarily result, since no side issues cluttered the view.
Public-domain text, read in full here on John Shaqi.
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