Homeless persons -- Fiction; London (England) -- Fiction
Her blue eyes were very childish and earnest. For all my love of
Paragot, I suddenly felt something like pity for her, as for one who had
undertaken a responsibility that weighed too heavily on slender
shoulders. For the first time it struck me that Paragot and Joanna might
not be a perfectly matched couple. Intuition prompted me to say:--
"My master is utterly happy, but you must give him a little time to
accustom himself to the new order of things."
"That's it," she said. Then there was a pause. "You are such a wise
boy," she continued, "that perhaps you may be able to do something for
me. I can't do it myself--and it's horrid of me to talk about it--but do
you think you might suggest to him that people of our class don't visit
the Black Boar? I don't mind it a bit; but other people--my cousin Major
Walters said something a day or two ago--and it hurt. They don't
understand Gaston's Continental ways. It is natural for a man to go to a
café in France; but in England, things are so different."
I promised to convey to Paragot the tabu of the Black Boar, and then I
asked her which she preferred, England or France. She shivered, and a
gleam of frost returned to her eyes.
"I never want to see France again. I was so unhappy there. I am trying
to persuade Mr. de Nérac to live in London. He can find as much scope
for his art there as in Paris, can't he?"
"Surely," said I.
"And you'll come too," she said with the flash of gaiety that was one of
her charms. "You'll have a beautiful studio near by and we'll all be
happy together."
She jumped off the painting stool and having bidden me light the gas,
resumed her task of embroidering the stole, by the fireside.
"It's pretty, isn't it?" she asked, holding it up for my inspection.
I agreed. She had considerable talent for art needlework.
"Gaston doesn't appreciate it," she remarked, laughing. "He disapproves
of clergymen."
"They have scarcely been in his line," I answered apologetically.
"They will have to be. Oh, you'll see. I'll make him a model Englishman
before very long."
"I'm afraid you will find it rather difficult, Madame," said I.
"Do you think I'm afraid of difficulties? Isn't everything difficult? Is
it easy for you to get everything to come out on that canvas just as you
want it? If you could dash it off in a minute it wouldn't be worth
doing. As you yourself said, I'll have to give Gaston time."
I seated myself on the fender-seat close by her chair, and for some
minutes watched the clever needle work its golden way through the white
silk. No one has ever had such dainty fingers and delicate wrists.
Public-domain text, read in full here on John Shaqi.
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