Homeless persons -- Fiction; London (England) -- Fiction
We drank the wine and sat down to wait for Paragot's recovery. Although
it was late May, a wood fire glowed beneath the great chimney-piece.
This made of blue and white ware with corbels of cherubs caught my
attention. I had seen things like it in the stately museums of Italy.
"But this is Della Robbia," I exclaimed.
She smiled, somewhat surprised. "You are a connoisseur as well as a
philosopher, Mr. Asticot? Yes, it is Della Robbia. The Comte de Verneuil
is a great collector."
Then for the first time I looked about the room, and I caught my breath
as I realised its wealth and luxury. For a time I forgot Paragot, lost
in a dream of Florentine tapestries, priceless cabinets, porcelain,
silver, pictures, richly toned rugs, chairs with rhythmic lines, all
softened into harmonious mystery by the shaded light of the lamps. At
the end of a further room just visible through the looped curtains a
great piece of statuary gleamed white. I had never entered such a room
in my life before. My master had taken me through the show apartments of
great houses and palaces, but they were uninhabited, wanted the human
touch. It had not occurred to me that men and women could have such
wonder as their daily environment, or could invest it with the
indefinable charm of intimacy. I turned and looked at Joanna as she sat
by the Della Robbia chimney-piece, gracious and distinguished, and
Joanna became merged in the Countess de Verneuil, the great lady, as far
removed from me as my little bare attic from this treasure house of
luxury. She wore the room, so to speak, as I wore the attic. Overcome
by sudden timidity I could barely reply to her remarks.
She was in no mood for conversation, poor lady; so there dropped upon us
a dead silence, during which she stared frozenly into the fire while I,
afraid to move, occupied the time by storing in my memory every
bewitching detail of her dress and person. The oil sketch of her I made
a day or two afterwards hangs before me as I write these lines. I prided
myself on having caught the colour of her hair--black with the blue
reflections like the blue of cigarette smoke.
Suddenly the quietness was startled by loud groans of agony and
unintelligible speech coming from some room of the flat. Paragot
staggered noisily to his feet, a shaking, hairy, dishevelled spectre,
blinking glazed eyes.
Madame de Verneuil started and leaned forward, her hands on the arms of
her chair.
"My husband," she whispered, and for a few seconds we all listened to
the unearthly sounds. Then she rose and turned to me.
"You had better see it through."
She crossed to Paragot.
"Are you better now?"
"I can do what is required of me," said my master, humbly, though in his
ordinary voice. He was practically sober.
"Then come," said Joanna.
Public-domain text, read in full here on John Shaqi.
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