"Oh, you are a dear little thing!" said Trudi, putting her hands on
Anna's shoulders and looking into her eyes--they were both tall young
women, and their eyes were on a level--"I wonder what the end of you
will be. When you know all these people better you'll see that my way of
treating them, which you think unkind, is the only way. You must turn up
your nose as high as it will go at them, and they will burst with
respect. Don't be too friendly and confiding--they won't understand it,
and will be sure to think that something must be wrong about you, and
will begin to backbite you, and invent all sorts of horrid stories about
you. And as for the pastor, why should he be allowed to treat your rooms
as though they were so many pulpits, and you as though you had never
heard of the _Apostel Paulus_?"
Anna admitted that she was not always in the proper frame of mind for
these unprovoked sermons, but refused to believe in the necessity for
turning up her nose. She ostentatiously pressed Manske, the very next
time he came, to stay to the evening meal, which was rather of the
nature of a picnic in those unsettled days, but at which, for Letty's
sake, there was always a pudding; and she invited him to eat pudding
three times running, and each time he accepted the offer; and each time,
when she had helped him, she fixed her eyes with a defiant gravity on
Trudi's face.
Axel came in sometimes when he had business at the farm, and was shown
what progress had been made. Trudi was as interested as though it had
been her own house, and took him about, demanding his approval and
admiration with an enthusiasm that spread to Anna, and she and Axel soon
became good friends. The Stralsund wall-papers were so dreadful that
Anna had declared she would have most of the rooms whitewashed; the hall
had been done, exchanging its pea-green coat for one of virgin purity,
and she had thought it so fresh and clean, and so appropriate to the
simplicity of the better life, that to the amazement of the workmen she
insisted on the substitution of whitewash in both dining and
drawing-room for the handsome chocolate-coloured papers already in those
rooms.
"The twelve will think it frightful," said Trudi.
"But why?" asked Anna, who had fallen in love with whitewash. "It is
purity itself. It will be symbolical of the innocence and cleanliness
that will be in our hearts when we have got used to each other, and are
happy."
Trudi looked again at the hall, into which the afternoon sun was
streaming. It did look very clean, certainly, and exceedingly cheerful;
she was sure, however, that it would never be symbolical of any heart
that came into it. But then Trudi was sceptical about hearts.
Public-domain text, read in full here on John Shaqi.
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