Bildungsromans; Domestic fiction; Middle West -- Fiction; Young women -- Fiction
The orchestra, an army of ants, straggled out on the stage. Sylvia was
astonished at their numbers--sixteen first violins, she saw by the
program! She commented to her father on the difficulty of keeping
them all in tune. He smiled at her absently, bade her, with an air
of suppressed excitement, wait until she had heard them, and fell
to biting his nails nervously. She re-read the program and all the
advertisements, hypnotized, like every one else in the audience, by
the sight of printed matter. She noticed that the first number of this
memorial concert was the funeral march from the Götterdämmerung, which
she knew very well from having heard a good many times a rather thin
version of it for four strings and a piano.
The conductor, a solitary ant, made his toilsome way across the great
front of the stage, evoking a burst of applause, which resounded
hollowly in the inhuman spaces of the building. He mounted a step,
waved his antennae, there was a great indrawn breath of silence,
and then Sylvia, waiting with agreeable curiosity to hear how a big
orchestra would really sound, gasped and held her breath. The cup of
that vast building suddenly brimmed with a magical flood of pure tone,
coming from everywhere, from nowhere, from her own heart as well as
from outside her body. The immense hall rang to the glorious quality
of this sound as a violin-back vibrates to the drawn bow. It rained
down on her, it surged up to her, she could not believe that she
really heard it.
She looked quickly at her father. His arms were folded tightly across
his chest. He was looking frowningly at the back of the chair in front
of him. It was evident that Sylvia did not exist for him. She was
detached from her wonder at his pale sternness by the assault on her
nerves made by the first of those barbaric outcries of woe, that
sudden, brief clamor of grief, the shouts of despair, the beating upon
shields. Her heart stood still--There rose, singing like an archangel,
the mystic call of the Volsung, then the yearning melody of love; such
glory, such longing for beauty, for life--and then brusquely, again
and again, the screaming, sobbing recollection of the fact of
death....
When it was over, Sylvia's breath was still coming pantingly. "Oh,
Father! How--how wonderful--how--" she murmured.
He looked at her, as though he were angry with her, and yet scarcely
seeming to know her, and spoke in a hard, bitter tone: "And it is
_years_ since I have heard one!" He seemed to cry out upon her for the
conditions of his life.
She had no key for these words, could not imagine a meaning for them,
and, chilled and repelled, wondered if she had heard him rightly.
Public-domain text, read in full here on John Shaqi.
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