The design for the yellow chiffon dropped almost literally at Sylvia's feet the next day, on the frontispiece of a theatrical magazine left by another passenger in the streetcar in which she chanced to be riding. Sylvia pounced on it with instant recognition of its value. It was "different" and yet not "queer," it was artistic and yet fashionable, and with its flowing lines it would not be hard to construct. It was the creation of a Parisian boulevard actress, known widely for her costumes, for the extraordinary manner in which she dressed her hair, and for the rapidity of her succeeding emotional entanglements. Her name meant nothing to Sylvia. She tore out the page, folded it, and put it for safe-keeping between the pages of her text-book on Logic. That afternoon she began work on it, running the long seams up on the machine with whirring rapidity, acutely aware of her mother's silent, uncommenting passage back and forth through the sewing-room. With an impulse of secrecy which she did not analyze, she did the trying-on in her own room, craning and turning about before her own small mirror. She knew that her mother would think the dress was cut too low, although, as she told herself, looking with complacency at the smooth, white, exquisitely fine-grained skin thus disclosed, it wasn't nearly as low cut as the dresses Eleanor Hubert wore to any little dance. She had long felt it to be countrified in the extreme to wear the mild compromises towards evening-dress which she and most of the State University girls adopted, as compared with the frankly disclosing gowns of the "town girls" whose clothes came from Chicago and New York. She knew from several outspoken comments that Jerry admired Eleanor's shoulders, and as she looked at her own, she was not sorry that he was to compare them to those of the other girl. After this brief disposal of the question, she gave it no more thought, working with desperate speed to complete all her preparations. She had but a week for these, a week filled with incessant hurry, since she was naturally unwilling to ask help of her mother. Judith was off again with her father. This absence greatly facilitated the moment of Sylvia's departure, which she had dreaded. But, as it happened, there was only her mother to whom to say the rather difficult good-bye, her mother who could be counted on never to make a scene.