Bildungsromans; Domestic fiction; Middle West -- Fiction; Young women -- Fiction
"Oh, Molly's wonderful. She'd manage anything," said Sylvia with
conviction.
"Morrison is rather wonderful himself," advanced Page. "And that's a
magnanimous concession for me to make when I'm now so deep in his
bad books. Do you know, by the way," he asked, looking with a quick
interrogation at the girl, "_why_ I'm so out of favor with him?"
Sylvia's eyes opened wide. She gazed at him, startled, fascinated.
Could "it" be coming so suddenly, in this casual, abrupt manner? "No,
I don't know," she managed to say; and braced herself.
"I don't blame him in the least. It was very vexing. I went back on
him--so to speak; dissolved an aesthetic partnership, in which he
furnished the brains, and my coal-mines the sinews of art. _I_ was one
of his devotees, you know. For some years after I got out of college I
collected under his guidance, as my mother does, as so many people do.
I even specialized. I don't like to boast, but I dare affirm that no
man knows more than I about sixteenth century mezza-majolica. It is
a branch of human knowledge which you must admit is singularly
appropriate for a dweller in the twentieth century. And of great value
to the world. My collection was one of Morrison's triumphs."
Sylvia felt foolish and discomfited. With an effort she showed a
proper interest in his remarks. "Was?" she asked. "What happened to
it?"
"I went back on it. In one of the first of those fits of moral
indigestion. One day, I'd been reading a report in one of the
newspapers on the status of the coal-miner, and the connection between
my bright-colored pots and platters, and my father's lucky guess,
became a little too dramatic for my taste. I gave the collection to
the Metropolitan, and I've never bought a piece since. Morrison was
immensely put out. He'd been to great trouble to find some fine
Fontana specimens for me. And then not to have me look at them--He
was right too. It was a silly, pettish thing to do. I didn't know any
better then. I don't know any better now."
It began to dawn on Sylvia that, under his air of whimsical
self-mockery he was talking to her seriously. She tried to adjust
herself to this, to be sympathetic, earnest; though she was still
smarting with the sense of having appeared to herself as undignified
and ridiculous.
Public-domain text, read in full here on John Shaqi.
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