But Stuhk was wrong. Gideon had no intention of buying himself
a ring. For the matter of that, he had several that were amply
satisfactory. They had size and sparkle and luster, all the diamond
brilliance that rings need to have; and for none of them had he
paid much over five dollars. He was amply supplied with jewelry in
which he felt perfect satisfaction. His present want was positive,
if nebulous; he desired a fortune in his pocket, bulky, tangible
evidence of his miraculous success. Ever since Stuhk had found him,
life had had an unreal quality for him. His Monte Cristo wealth
was too much like a fabulous, dream-found treasure, money that
could not be spent without danger of awakening. And he had dropped
into the habit of storing it about him, so that in any pocket into
which he plunged his hand he might find a roll of crisp evidence of
reality. He liked his bills to be of all denominations, and some
so large as exquisitely to stagger imagination, others charming by
their number and crispness—the dignified, orange paper of a man
of assured position and wealth-crackling greenbacks the design of
which tinged the whole with actuality. He was specially partial
to engravings of President Lincoln, the particular savior and
patron of his race. This five hundred dollars he was adding to an
unreckoned sum of about two thousand, merely as extra fortification
against a growing sense of gloom. He wished to brace his flagging
spirits with the gay wine of possession, and he was glad, when the
money came, that it was in an elastic-bound roll, so bulky that it
was pleasantly uncomfortable in his pocket as he left his manager.
As he turned into the brilliantly lighted street from the somber
alleyway of the stage entrance, he paused for a moment to glance
at his own name, in three-foot letters of red, before the doors
of the theater. He could read, and the large block type always
pleased him. “THIS WEEK: GIDEON.” That was all. None of the fulsome
praise, the superlative, necessary definition given to lesser
performers. He had been, he remembered, “GIDEON, America’s Foremost
Native Comedian,” a title that was at once boast and challenge.
That necessity was now past, for he was a national character;
any explanatory qualification would have been an insult to the
public intelligence. To the world he was just “Gideon”; that was
enough. It gave him pleasure, as he sauntered along, to see the
announcement repeated on window cards and hoardings.
Public-domain text, read in full here on John Shaqi.
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