“Oh, mamma,” replied Caroline, “you may be sure I shall always
take care not to betray my visitors into an engagement which they
may have cause to regret, particularly if they are strangers whose
time is limited. I shall certainly, as you say, tell them not to
consider themselves bound to me if they afterwards receive an
invitation which promises them more enjoyment. It will be a long
while before I forget, the Watkinson evening.”
FOOTNOTES:
[13] From _Godey’s Lady’s Book_, December, 1846.
TITBOTTOM’S SPECTACLES[14]
BY GEORGE WILLIAM CURTIS (1824–1892)
In my mind’s eye, Horatio.
Prue and I do not entertain much; our means forbid it. In truth,
other people entertain for us. We enjoy that hospitality of which
no account is made. We see the show, and hear the music, and smell
the flowers of great festivities, tasting as it were the drippings
from rich dishes. Our own dinner service is remarkably plain,
our dinners, even on state occasions, are strictly in keeping,
and almost our only guest is Titbottom. I buy a handful of roses
as I come up from the office, perhaps, and Prue arranges them so
prettily in a glass dish for the centre of the table that even when
I have hurried out to see Aurelia step into her carriage to go out
to dine, I have thought that the bouquet she carried was not more
beautiful because it was more costly. I grant that it was more
harmonious with her superb beauty and her rich attire. And I have
no doubt that if Aurelia knew the old man, whom she must have seen
so often watching her, and his wife, who ornaments her sex with as
much sweetness, although with less splendor, than Aurelia herself,
she would also acknowledge that the nosegay of roses was as fine
and fit upon their table as her own sumptuous bouquet is for
herself. I have that faith in the perception of that lovely lady.
It is at least my habit—I hope I may say, my nature, to believe the
best of people, rather than the worst. If I thought that all this
sparkling setting of beauty—this fine fashion—these blazing jewels
and lustrous silks and airy gauzes, embellished with gold-threaded
embroidery and wrought in a thousand exquisite elaborations, so
that I cannot see one of those lovely girls pass me by without
thanking God for the vision—if I thought that this was all, and
that underneath her lace flounces and diamond bracelets Aurelia was
a sullen, selfish woman, then I should turn sadly homewards, for I
should see that her jewels were flashing scorn upon the object they
adorned, and that her laces were of a more exquisite loveliness
than the woman whom they merely touched with a superficial grace.
It would be like a gaily decorated mausoleum—bright to see, but
silent and dark within.
Public-domain text, read in full here on John Shaqi.
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