Nobody stopped to converse with him. He voted, as I
had charged him to do, in every instance, with the minority. I
won new laurels as a man of sense, though a little unpunctual—and
Dennis, _alias_ Ingham, returned to the parsonage, astonished to
see with how little wisdom the world is governed. He cut a few of
my parishioners in the street; but he had his glasses off, and I am
known to be nearsighted. Eventually he recognized them more readily
than I.
I “set him again” at the exhibition of the New Coventry Academy;
and here he undertook a “speaking part”—as, in my boyish, worldly
days, I remember the bills used to say of Mlle. Celeste. We are all
trustees of the New Coventry Academy; and there has lately been
“a good deal of feeling” because the Sandemanian trustees did not
regularly attend the exhibitions. It has been intimated, indeed,
that the Sandemanians are leaning towards Free-Will, and that we
have, therefore, neglected these semi-annual exhibitions, while
there is no doubt that Auchmuty last year went to Commencement at
Waterville. Now the head master at New Coventry is a real good
fellow, who knows a Sanskrit root when he sees it, and often cracks
etymologies with me—so that, in strictness, I ought to go to their
exhibitions. But think, reader, of sitting through three long July
days in that Academy chapel, following the program from
TUESDAY MORNING. ENGLISH COMPOSITION. Sunshine. Miss Jones,
round to
Trio on Three Pianos. Duel from opera of Midshipman Easy.
MARRYATT.
Public-domain text, read in full here on John Shaqi.
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