"And what'd you do with the body?" he asked.
"I dug a grave in the shine of the moon," she answered. "And I put it
in by the two little cold grey feet----"
This touch of the grey feet laid a spell on Deasey's hankering
morbidity.
"_What turned the feet grey_?" he whispered.
"Nature, I s'pose!" replied the white-haired widow. She drew her shawl
about her shrinking form before she turned away.
"'Twas never found out, from that hour to this, who done it!" muttered
the Widow Geraghty, "but, may the Divvle skelp me if I touch one drop
of chucken-tea again!"
THE BIRTH OF A MASTERPIECE
By LUCAS MALET
(From The _Story-Teller_)
1922
Looking back on it from this distance of time--it began in the early
and ended in the middle eighties--I see the charm of ingenuous youth
stamped on the episode, the touching glamour of limitless faith and
expectation. We were, the whole little band of us, so deliciously
self-sufficient, so magnificently critical of established reputations
in contemporary letters and art. We sniffed and snorted, noses in air,
at popular idols, while ourselves weighted down with a cargo of
guileless enthusiasm only asking opportunity to dump itself at an
idol's feet. We ached to burn incense before the altar of some
divinity; but it must be a divinity of our own discovering, our own
choosing. We scorned to acclaim ready-made, second-hand goods. Then we
encountered Pogson--Heber Pogson. Our fate, and even more, perhaps, his
fate, was henceforth sealed.
He was a large, sleek, pink creature, slow and rare of movement, from
much sitting bulky, not to say squashy, in figure, mild-eyed, slyly
jovial and--for no other word, to my mind, so closely fits his
attitude--resigned. A positive glutton of books, he read as
instinctively, almost as unconsciously, as other men breathe. But he
not only absorbed. He gave forth and that copiously, with taste, with
discrimination, now and again with startlingly eloquent flights and
witty sallies. His memory was prodigious. The variety and vivacity of
his conversation, the immense range of subjects he brilliantly
laboured, when in the vein, remain with me as simply marvellous. With
us he mostly was in the vein. And, vanity apart, we must have composed
a delightful audience, generously censer-swinging. No man of even
average feeling but would be moved by such fresh, such spontaneous
admiration! Thus, if our divinity melodiously piped, we did very
radiantly dance to his piping.
Public-domain text, read in full here on John Shaqi.
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