We listened breathless, nodding exuberant approval. For weren't we
ourselves, each and all of us, mightily in love with art and with the
human scene? And hadn't we, listening thus breathlessly to our amazing
master, the enchanting assurance that we were on the track of a
masterpiece? Not impossibly a whole gallery of masterpieces, since
Heber Pogson had barely touched middle age as yet. For him there still
was time. Fiction, we gathered to be the selected medium. He not only
meant to write, but was actually now engaged in writing, a novel during
those withdrawn and sacred morning hours when we were denied admittance
to his presence. We previsaged something tremendous, poetic yet
fearlessly modern, fixed on the bedrock of realism, a drama and a
vision wide, high, deep, spectacular yet subtle as life itself. Let his
confreres, French and Russian--not to mention those merely British
born--look to their laurels, when Heber Pogson blossomed into print!
And--preciously inspiring thought--he was our Pogson. He inalienably
belonged to us; since hadn't we detected the quality of his genius when
the veil was still upon its face? Oh! we knew, bless you; we knew. We'd
the right to sniff and snort, noses in air, at contemporary reputations
because we were snugly awaiting the disclosure of a talent which would
prick them into nothingness like so many bubbles, pop them like so many
inflated paper bags, knock them one and all into the proverbial cocked
hat!
Unfortunately youth, with a fine illogic, though having all the time
there is before it, easily waxes impatient. In our eagerness for his
public recognition, his apotheosis, we did, I am afraid, hustle our
great man a little. Instead of being satisfied with his nocturnal
coruscations--they brilliant as ever, let it be noted--we just a
fraction resented the slowness of his progress, began ever so gently to
shove that honoured bulky form behind and pull at it in front. We
wanted the tangible result of those many sacred and secret morning
hours during which his novel was in process of being formed and
fashioned, gloriously built up. Wouldn't he tell us the title,
enlighten us as to the theme, the scheme, thus allaying the hunger
pangs of our pious curiosity by crumbs--ever so small and few--dropped
from his richly furnished table? With exquisite good-humour, he fenced
and feinted. Almost roguishly he would laugh us off and launch the
conversation into other channels, holding us--after the first few
vexatiously outwitted seconds--at once enthralled and delicately
rebuked.
But at last--in the late spring, as far as I remember, of the second
year of our devotion--there came a meeting at which things got pressed
somehow to a head. Contrary to custom feminine influence made itself
felt.
Public-domain text, read in full here on John Shaqi.
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