But that was not for sometime to come: in the meanwhile she was like a
dear little bantam hen with one chick; while Ben himself was content to
shelter under her wing, until it grew upon him that, loving her as he
did, loving his mother--realising what it meant to be a mother, in
thinking of jenny herself with a child--his child--in her arms--it was
"up to" him to prove himself for their sakes, to make them proud of him
and his music, without the faintest idea of how proud they were
already, lift the whole weight of care from their shoulders.
The worst of it was, he told them nothing whatever about it. The better
sort of men are given to these crablike ways of appearing to move away
from what they intend to move towards. It simply seemed as though he
were forgetting them a little--then, more and more; elbowing them aside
to clear the way for his beloved music.
He was no longer deprecating, appealing, leaning upon them: each woman
thought of him as "her child," and when his love made a man of him,
they realised the hurt, nothing more.
He overdid it, too, as genius does overdo things; was brusque, entirely
immersed in his great scheme. Sometimes he even laughed to himself over
this. "They don't know what I'm up to!" he would declare to himself,
with a sense of triumph.
He had never even thought of his music in the money sense before, but
as his love and ambition for the two women grew upon him, he was like a
child with a new toy. He would not only make a great name, he would
make an immense fortune: his mind blinked, dazzled at the very thought.
He moved with a new pride, and also--alas!--a new remoteness.
His health had broken when he was about seventeen--his bent shoulders
still showed that old drag upon the chest--and he was away in a
sanatorium for a year. When he came back he was cured. It was young
Saere, the junior partner in the timber business, who had sent him
away; and it was he who, when Ben returned, paid for lessons for him,
so that he learnt to play as well as read music.
From that time onward he had always stuck to the firm, working in the
tally sheds; paid, out of his earnings, for the use of a room and a
piano for practising upon so many hours each week, completely happy and
contented.
He had never even thought of leaving the business until he realised his
immense love for Jenny, and, through her, for his mother; the necessity
for doing something big. What did sacrifice matter? What did it matter
being poor, hungry, shabby?--What did anything matter just for a while?
There was so little he wanted; meals were a nuisance; his eyes were so
dazzled by the brilliance of the future, set upon a far horizon, that
he forgot the path of the present, still beneath his feet.
If his mother had not set food before him he would scarcely have
thought of it. But, all the same, he ate it, and money had to be earned
by some one or other.
Public-domain text, read in full here on John Shaqi.
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